When representing his island nation of San Monique at the United Nations, Dr. Kananga (Yaphet Kotto) wears black lounge in Live and Let Die. Black lounge is made up of a black lounge coat, a black or contrasting waistcoat and grey checked or striped trousers. It’s like morning dress but with a lounge coat instead of a morning coat. Black lounge sits in formality between the lounge suit and morning dress, and some consider it to be the daytime equivalent of black tie. Whilst black tie is worn for festive occasions, black lounge can either be worn for not only festive occasions but also in certain professional settings and to funerals.
The black lounge coat that Kananga wears as part of the black lounge outfit is also known a the stroller or Stresemann, named after German chancellor Gustav Stresemann. It fastens with a single button and has peaked lapels, jetted pockets and no vent to mimic the details of the morning coat.
Roger Moore’s tailor Cyril Castle likely made this outfit. Though Kananga’s two double-breasted suits have narrow wrap and flared link cuffs that clearly identify those suits as Castle’s work, this suit has less to go on. Still, it is most likely Castle’s work. It has a very similar silhouette to Kananga’s double-breasted suits, with the jacket’s full chest, closely shaped waist and low button stance. It also has the same narrow, strongly-padded shoulders with roped sleeveheads that Kananga’s double-breasted suits have. Castle padded the shoulders of Kananga’s suit jackets much more than he did for James Bond’s suit jackets to make Kananga look more like the powerful leader of an island nation.
Kananga’s waistcoat matches the lounge coat in black, and the black waistcoat is appropriate for the serious occasion of attending United Nations meeting. A light-coloured waistcoat, like the light grey waistcoat James Bond wears with black lounge to his own wedding in On Her Majesty’s Secret Service, is a better alternative for festive occasions. The waistcoat fastens with six buttons and has a regular notched bottom. The trousers are medium grey with black stripes and have a darted front. The trousers’ front dares are fairly long and placed above the crease, just like on Roger Moore’s Cyril Castle trousers, so this gives another hint that these clothes were tailored by Castle.
Under the black lounge jacket, Kananga wears a white shirt with a long point collar and mitred two-button cuffs. Such a dressy outfit should require double cuffs, but in this more business-like setting the button cuffs aren’t entirely inappropriate. The tie is silver with a fancy self jacquard-woven pattern that is difficult to make out. Kananga ties it in a four-in-hand knot. He also has a white linen handkerchief folded in his breast pocket with two corners pointing out and a red carnation in his lapel.