In a number of fifth series episodes of The Saint—including “The Helpful Pirate”, “The Convenient Monster”, “The Angel’s Eye”, “The Persistent Patriots”, “Simon and Delilah” and “A Double in Diamonds”—Roger Moore wears a black and white hopsack three-piece suit. The overall look of the cloth is a medium-dark grey with a lot of sheen. The sheen suggests a wool and mohair blend, which was very popular in the 1960s. Mohair often came in these tone-tone hopsack weaves in the 1960s because the iridescent two-tone look accentuates the natural sheen of mohair. Hopsack—a basketweave—is also a popular weave for mohair because the open weave takes advantage of mohair’s cool-wearing properties.
Cyril Castle, who tailored Moore for The Saint, The Persuaders, Live and Let Die and The Man with the Golden Gun, cut this suit. Like all of Roger Moore’s suits in The Saint‘s fifth series, this suit’s jacket has a button three front. The jacket is cut with softly padded shoulders, roped sleeveheads, a draped chest and a suppressed waist. A low button stance serves, along with the drape, to make Roger Moore’s chest look more masculine and imposing. The considerably narrow lapels add to this effect and make the entire look overdone.
For a dressier look, this suit jacket has the minimalist touches of jetted pockets and no rear vent. Like on most of the jackets in the fifth series, the cuffs are gauntlet cuffs with a single button. The suits’s trousers have a darted front, no belt, frogmouth pockets and narrow, tapered legs with plain hems.
The double-breasted waistcoat has six buttons in a keystone formation with three to button. A double-breasted waistcoat is an unusual piece and is more formal than a single-breasted waistcoat. It’s perfect for evening formal dress and morning dress, but it’s equally appropriate on a dressier lounge suit such as this shiny mohair suit. It’s certainly a dandyish piece and serves as a way to stand out from the crowd, but it doesn’t draw much more attention than a single-breasted waistcoat would, especially if the jacket is kept buttoned. It lends a rather old-world look to this suit, but since the suit is very modern with narrow lapels and narrow trousers it doesn’t have enough weight to make the suit look old-fashioned.
A suit like this is too bold for standard business dress. Mohair is too shiny and thus flashy, and the double-breasted waistcoat is too unconventional. These elements also make the suit too formal for the office. However, it is perfect for a fancy evening out or to wear to a day or night wedding, either as a guest or as the groom. Though mohair is a cool-wearing cloth and good for warm weather, the extra layer of a waistcoat gives this suit a wider temperature range.
Moore coordinates this suit with two different tie and shoe combinations. The shirts are always ecru, and many or all have white hairlines stripes. The shirts have a moderate spread collar, plain front and double cuffs. The collar has a tall stand but short points. In “The Helpful Pirate”, “The Convenient Monster” and “The Angel’s Eye” Moore wears a narrow medium grey satin tie and black slip-on shoes with elastic. In “The Persistent Patriots”, “Simon and Delilah” and “A Double in Diamonds” he wears an narrow olive satin tie and medium brown slip-on shoes with elastic. Moore knots his ties with a small four-in-hand knot.
In “Simon and Delilah” Moore wears a tie clip with a microphone built in (pictured second from top). A tie clip is typically unnecessary with a waistcoat because the waistcoat keeps the tie in place. Sometimes the waistcoat doesn’t do this job as well as it should and a man may still want a tie clip to keep his tie perfectly in place. In that case, the tie clip should be worn under the waistcoat. It belongs approximately three-quarters of the way down the tie and away from the face. Of course, a microphone would be less effective under the waistcoat. Ideally a two-piece suit should have been chosen for this scene. On the other hand, the waistcoat means that the tine clip is higher and thus in better sight for the viewers of the show.
Though he usually wears dark grey socks with this suit, in “The Persistent Patriots” Moore wears this suit with beige socks—which coordinate with the shirt more than they do with the suit. Though they by no means clash with the outfit, light-coloured socks can draw attention to the feet when attention should be drawn to the face.