A Blue Anorak for a Mountaintop Battle

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For On Her Majesty’s Secret Service‘s climax battle at Piz Gloria, James Bond wears a medium blue anorak with matching trousers or salopettes. The suit of anorak and trousers is made of wind-proof and waterproof material and is lined for warmth. An anorak is similar to a parka, but it is distinguished by being hip-length instead of knee-length, is a pull-over and has drawstrings to cinch the waist. The waist drawstrings prevent the bulky anorak from being completely shapeless, but they also help retain warmth. These features of the anorak are all present on Bond’s example. The anorak also has a large hood that cinches around the neck with drawstrings.

The anorak’s full fit does not impede movement, and Bond moves quite well in it. It has straps with a slide-buckle on the sleeves to keep the arms warmer. It is detailed with inset pockets on either side of the top of the chest, which have velcro-secured flaps. There are also inset hip pockets on either side that close with a zip fastening.

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Bond’s anorak also has a strap that connects the bottom of the front with the bottom of the back between the legs. I am unable to tell how the strap is fastened, though I would guess it uses velcro. It keeps the coat secured when Bond is jumping and sliding about, as well as in strong winds, but it should hopefully come easily undone if there is too much stress on the strap. A strap between the legs is one place a secure fastening is not a good thing! Whilst the strap pulls the anorak tightly in front, it hangs looser in the rear. The coat was probably designed for winter sports, and that’s why it has the strap.

Notice the strap between Bond's legs.

Notice the strap between Bond’s legs.

The medium blue trousers that match the anorak are tucked into black weather-treated suede or suede-like ankle boots with thick black rubber soles. They have a thin strap over the vamp that fastens with a steel buckle over the sole on the right side of the boot. Bond wears black leather gloves with a thick insulating lining, and the seams are sewn on the inside. The gloves are gathered at the wrist and secure with a slide-buckle on the sides.

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The jumper’s collar and cuffs peak out from the anorak

Under the anorak, Bond wears a very thick steel blue wool mock poloneck jumper. Only a peak of the ribbed polo neck collar and a ribbed cuff of the jumper is seen, and the jumper is seen only very briefly.

Draco wears the same outfit as Bond, though he wears a light brown leather utility belt over his. Draco’s men dress similarly in white anoraks and white trousers, but in the same mock polo-neck jumpers and black boots that Bond and Draco wear, and a little more of the jumper can be seen on them. Bond’s outfit is provided by Draco and is neither his own outfiit nor something provided by MI6.

Draco in the same outfit as Bond, but with a utility belt.

Draco in the same outfit as Bond, but with a utility belt.

Not Mad About Benz’s tailor

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“Not mad about his tailor, are you?” says Bond to Kerim Bey about Benz’s suit. Benz is a Russian security agent played by English actor Peter Bayliss in From Russia with Love. Why doesn’t Bond like Benz’s suit? The first thing that stands out about this suit is not due to the tailor’s work but is the suit’s garish cloth. The suit is light grey with large horizontal ribs and black chalk stripes, which are muted by the grey base. Dark stripes can sometimes work on a suit, but not against the contrast of a light grey ground. The black chalk stripes immediately mark Benz as an enemy.

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It’s no surprise that Bond does not favour Benz’s tailor’s work. The button one suit jacket has a very full drape cut, which had become very unfashionable in the 1960s. It looks like it was made in the 1940s. The chest is full with a lot of drape and the waist is gently suppressed. The shoulders are wide, but they are well done with natural-looking padding and cleanly-draped, full sleeves. The cut of the jacket is meant to make Benz look like a much stronger man than he is, but that deception is apparent when Bond turns his suit jacket into a straight jacket and exposes Benz’s shoulders.

The suit jacket is detailed with jetted pockets, no vent and four-button cuffs. The lapels have a steep gorge, which both makes the lapels seem wider than they are and makes the medium gorge height seem lower than it is. The lapels have a very wide notch. The suit’s buttons are black plastic to match the black stripes and sewn with grey thread to match the suit. The suit’s trousers are full-cut with pleats and have wide legs with turn-ups.

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Benz wears a rather cheap-looking cream shirt with his suit. It has a short, moderate spread collar and square single-button cuffs. The collar and cuffs are stitched 1/8″ from the edge, which is mostly what lends a cheap look to the shirt. Most top-quality makers have 1/4″ stitching on the collar and cuffs, and whilst there are some high-end makers that stitch the collar and cuffs 1/8″ or closer to the edge, it’s mostly done on poor-quality shirts.

Whilst Benz’s black satin silk tie complements the suit’s black stripes, the navy satin silk pocket square—folded in a winged puff—clashes with the tie. However, the navy pocket square matches Benz’s navy socks, which is quite creative. Benz’s shoes are black.

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Benz briefly is seen with a black felt hat, but the type of hat is unlike anything I’ve ever seen. Instead of the crown tapering upward, the crown bells out like on a top hat. The crown is much shorter than a top hat’s crown, and the top is domed. The brim is turned down all the way around. The hat has a black grosgrain ribbon with a large bow. Is anyone familiar with the style of Benz’s hat, seen on top of his briefcase below?

Benz-Hat

Ian Fleming did not write about Benz’s suit in the From Russia with Love novel, but he wrote about Benz’s dressing gown:

Reluctantly, his heavy face pale with anger, the M.G.B. man who called himself Benz stepped out into the corridor in a brilliant blue silk dressing-gown. The hard brown eyes looked straight into Bond’s, ignoring him … Bond noticed the bulge under the left arm of the dressing-gown, and the ridge of a belt round the waist. He wondered if he should tip off the plain-clothes man. He decided it would be better to keep quiet. He might be hauled in as a witness.

At least Fleming’s Benz had fine taste in loungewear, though all he wears in the film is his one striped suit.

Charles Robinson: A Navy Three-Piece Suit with Red Stripes

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Colin Salmon plays M’s aide and Deputy Chief of Staff Charles Robinson in Tomorrow Never Dies, The World Is Not Enough and Die Another Day, but it’s not until his third and last Bond film that he is dressed almost to a level of elegance equal to James Bond’s. That is not to say that he is dressed like Bond. Robinson is dressed in Die Another Day in a much flashier manner in a navy three-piece suit with red chalk stripes. The suit is most likely from an English brand, judging both by the jacket’s cut and the presence of a ticket pocket.

The button two suit jacket has padded shoulders with a slight pagoda effect that is emphasised by roped sleeveheads. The jacket has a clean chest and a gently suppressed waist. The pockets are straight with a ticket pocket. The waistcoat has five buttons down the front, and Robinson leaves the bottom button open. The waistcoat, however, is too long and reaches far below the waist. The length is a common problem with ready-to-wear waistcoats. Waistcoats are made too long to make up for people wearing their trousers too low, but waistcoats weren’t originally designed to be so long and thus are unable to fit the body well below the waist. The waistcoat’s buttons are also too far apart. Robinson’s suit trousers have a straight leg and probably a flat front. Apart from the waistcoat, the suit fits very well. The waistcoat gives this suit away as ready-to-wear.

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Robinson’s pink poplin shirt appears to be from Turnbull & Asser. The shape of the collar—mostly the inward curve of the outer edge—matches the shape of the Classic Turnbull & Asser collar and the double cuffs have the link holes very close to the fold, just as Turnbull & Asser makes theirs. The shirt also has a narrow front placket. The pink in the shirt pulls out the suit’s red stripes.

The red tie also coordinates with the suit’s red stripes. The tie has horizontal ribs, which means the tie is woven with a 45-degree twill weave. Since good ties are cut on the bias (cut on a 45-degree angle to the cloth’s warp and weft threads), a 45-degree twill wale will either become horizontal or vertical. Robinson’s tie has a fine yellow windowpane pattern. The tie is tied in a windsor knot with a dimple. Robinson’s black shoes have too heavy a sole to be worn with this elegant suit, a problem that is hardly noticeable when the shoes only have a couple seconds on screen.

Whilst Robinson isn’t perfectly dressed, he is one of the best-dressed men in Pierce Brosnan’s Bond films.

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Woman of Straw: A Brown Houndstooth Suit and Donegal Tweed Overcoat

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Most of Sean Connery’s tailored clothing in Goldfinger was first featured in the 1964 film Woman of Straw, which was made just before Goldfinger. Some of the suits fit the Woman of Straw setting much better than they fit Goldfinger. The brown houndstooth check suit is especially more fitting for Woman of Straw than it is for Goldfinger. In Woman of Straw Connery wears the suit on a country estate, whilst in Goldfinger he wears it to the office for briefing from M. James Bond occasionally knowingly breaks the rules, and I certainly don’t just mean the rules of how to dress properly. Nevertheless, wearing this country suit to the office is not likely something M appreciated. In Woman of Straw we get to see this beautiful suit in its intended setting.

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The suit is a somewhat heavy mid brown and black fine houndstooth check made by Anthony Sinclair. The button two jacket is cut with natural shoulders, a draped chest and a gently suppressed waist. It has country details like slanted flap pockets with a ticket pocket and a long single vent. The jacket has four buttons on the cuffs. The trousers have double forward pleats, button-tab side-adjusters and tapered legs. Unlike in Goldfinger, Connery does not wear an odd waistcoat with this suit in Woman of Straw, though he does wear that beige waistcoat with his barleycorn tweed hacking jacket. The lack of waistcoat gives this suit a much different look than it has in Goldfinger.

The suit's cloth close up

The suit’s brown houndstooth check cloth close up

A blue shirt and blue tie also make the suit look much different than it does in Goldfinger. Blue offers a nice colour contrast to brown whilst cooling down the brown outfit to better flatter Sean Connery’s cool complexion, but for blue and brown to work together they need to have contrast in value. Dark brown and navy don’t go so well together, and neither does light brown and light blue. See the image below of the light brown overcoat and light blue shirt for a combination that doesn’t clash but doesn’t quite work so well either. But light brown with navy works and dark brown with light blue works. The latter is evident here.

The pale blue shirt is made in the same style as Connery’s shirts in Goldfinger, with a wide spread collar, rounded double cuffs and placket stitched close to the centre. The steel blue repp silk tie is tied in a very small four-in-hand knot. Like in Goldfinger, Connery wears this suit in Woman of Straw with a white linen handkerchief folded in a single point in his breast pocket. It may have just been left in the pocket from Woman of Straw when he wears the suit in Goldfinger.

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Over this suit Connery wears a light brown donegal tweed overcoat that is not worn in Goldfinger. The coat is like a cross between a single-breasted coat and a double-breasted coat in that it has a large overlap and peaked lapels, but the overlap isn’t as large as most double-breasted coats and there is only one column of buttons to fasten. The additional overlap is there for extra warmth. The coat has a fly front that hides the buttons, but if the one column buttons showed they would be off-centre. The coat has slanted hip pockets with flaps, a breast welt pocket, a single vent in the rear and plain cuffs with a short vent.  The coat’s length is to just below the knee, making it a very warm, practical coat for the country. This overcoat may have also been made by Anthony Sinclair.

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Columbo: Three-Piece Dinner Suit

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With New Year’s Eve coming up shortly, let’s look at more black tie inspiration. Milos Columbo, played by Topol in For Your Eyes Only, looks elegant in his three-piece dinner suit. It was most likely tailored by the same man who made who made Columbo’s blazer, Conduit Street tailor Robbie Stanford. The button one dinner jacket has straight shoulders with roped sleeveheads, a clean chest and a suppressed waist. The lapels and collar are very unique in that lapels have horizontal peaks like the Tautz lapel, and the edge of the collar is angled up to form a notch. There are three buttons on the cuffs. The jacket’s buttons are black horn, just like on Bond’s dinner jacket.

Columbo’s dinner jacket unfortunately has two very noticeable faults. The pockets are slanted and have flaps, and the flaps are made worse with a satin silk facing. Slanted pockets are not appropriate on a dinner jacket because of their sporting origins, and bulky pocket flaps are at odds with the dinner jacket’s elegant minimalism. Columbo’s dinner jacket also has double vents, which would be okay if they were a moderate 10″ length like James Bond’s are in the same scene. However, Columbo’s vents are about 14″ long, a quite excessive length since they almost reach the waist. Double vents this long unnecessarily flap about and are especially inelegant for a dinner jacket. Both the pocket style and the vent length are carried over from 1970s fashions, but the dinner jacket does not look like something from the 1970s overall. Though the details are not ideal, they don’t detract from the jacket’s beautiful cut.

Notice the very deep vents, approximately 14" long

Notice the very deep double vents, approximately 14″ long

With the dinner suit, Columbo wears an elegant low-cut, button three, black silk waistcoat. The waistcoat’s U-shaped opening is less common than the V-shaped opening, but it is just as classic. The waistcoat accomplishes its job of covering the waist, whilst it shows off as much of the shirt from as possible. The U-front waistcoat is almost like a cummerbund in that it is hardly seen—or not even seen at all—when the jacket is buttoned. Columbo’s waistcoat has covered buttons in the same silk as the waistcoat’s front, and it does not appear to have lapels.

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Columbo wears a white dress shirt made by Frank Foster with a spread collar, pleated front and double cuffs. The shirt’s placket is stitched close to the centre, and it closes with smoke mother-of-pearl buttons, which were also on the shirt Columbo wears with his blazer later in the film. The double cuffs are secured with large, round black cufflinks that have Columbo’s dove emblem in white, and the holes in the cuff are positioned off-centre towards the fold. Columbo’s black silk thistle-shaped bow tie matches his lapels.

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The dove cufflinks, plus a number of gold rings.

OSS 117’s Alpaca Dinner Suit

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It’s almost the end of another year. For many people New Year’s Eve means black tie, and Jean Dujardin’s example in the French spy spoof OSS 117: Cairo, Nest of Spies is just as good as any of James Bond’s. OSS 117: Cairo, Nest of Spies is similar in its humour to Get Smart and is one of the best spy spoofs of the past decade. In the 2006 film that takes place in 1955, Dujardin plays Hubert Bonisseur de La Bath, a.k.a. OSS 117. The OSS 117 novels by Jean Bruce and original serious films predate James Bond novels and films, respectively. There is much inspiration taken from Sean Connery’s James Bond films in OSS 117: Cairo, Nest of Spies.

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“Ce sera l’occasion de porter mon smoking en alpaga/A perfect occasion to wear my alpaca dinner jacket.” —Hubert Bonisseur de La Bath

Bonisseur de La Bath says that his black dinner suit is made of alpaca, and since the cloth has a bit of a sheen it is certainly possible that it truly is alpaca. Alpaca wool is unusual for a dinner suit, though its silky and luxurious hand makes it appropriate for evening wear. However, it wears warmer than ordinary sheep’s wool, making it a rather poor choice for the hot and dry desert climate in Cairo. Mohair would have been a better choice, though “alpaca tuxedo” sounds more humourous.

The suits for OSS 117: Cairo, Nest of Spies were beautifully made for Jean Dujardin by Parisian tailor Joseph Kergoat. The dinner jacket has a traditional button one front and medium-width, satin-silk-faced peaked lapels without a buttonhole. The jacket is cut with wide, lightly-padded shoulders, gently roped sleeveheads, a full chest and a gently suppressed waist. The jacket has satin silk pocket jettings, three-button cuffs and no vent. The jacket’s buttons are black plastic. The dinner suit’s trousers have a darted front, tapered legs and a satin silk stripe down each leg. Though much of this film is modelled on Sean Connery’s Bond films from the 1960s, non-pleated trousers are inconsistent with both what Connery wears in his 1960s Bond films and what was popular in the 1950s. These trousers should have had pleats to be more accurate, though pleats were becoming very unfashionable at the time the film was made.

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Bonisseur de La Bath wears a white dress shirt with a short spread collar, double cuffs and a pleated bib with twelve pleats on each side. The front is fastened with three mother-of-pearl studs—with regular buttons the rest of the way down below the bib—and the cuffs are fastened with matching mother-of-pearl cufflinks. With the outfit he wears a black satin silk batwing bow tie, a black satin silk cummerbund and a folded white linen handkerchief in his breast pocket.

Bonisseur de La Bath’s shoes are black patent leather cap-toe oxfords. The patent leather shoe for black tie traditionally has a plain toe since it is dressier than a cap toe, but a patent leather oxford with a cap toe isn’t a serious faux pas. The shoes are the Crockett & Jones “Chatham” model, which has cemented soles instead of welted soles. Cemented soles cannot be replaced like welted soles can, but they look more sleek since they don’t have a welt and thus can be trimmed close to the uppers.

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Bill Tanner: A Modern English Navy Pinstripe Suit

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Rory Kinnear, who appeared as M’s aide Bill Tanner in Quantum of Solace and Skyfall, will return to the roll next year in Spectre. Tanner’s suits in Skyfall have a modern English look; they’re slightly more modern-looking than Mallory’s bespoke Timothy Everest suits but not fashion-forward as James Bond’s shrunken Tom Ford suits. One of Tanner’s three suits in Skyfall is a basic button-two navy suit with grey pinstripes. Grey pinstripes are more subtle than the traditional white pinstripes or bolder rope stripes and chalk stripes, but they’re good for the man who doesn’t want to draw undue attention to himself. The shoulders are lightly-padded, the chest is full and the waist is suppressed. Unlike Bond’s suit jackets in Skyfall, Tanner’s suit jacket is made to a tradition length that covers the buttocks. The button stance is high—a trend that started in the previous decade—but it doesn’t agree with Tanner’s figure. Judging by the pulling around the waist, the suit is most likely ready-to-wear.

The jacket has slanted pockets with a ticket pocket, and the front edges of the pockets are rounded much more than pockets ordinarily are. There are double vents in the back. The cuffs have four buttons, with the buttons spaced apart in groups of two. The suit’s trousers have a flat front, low rise and tapered legs with turn-ups. The low rise is most fashionable aspect of the entire suit, and it unfortunately causes the shirt and tie to show beneath the jacket’s button.

The unique spacing of the jacket's four cuff buttons

The unique spacing of the jacket’s four cuff buttons

Based on the arrangement of the cuff buttons as well as the suit’s style and silhouette, the suit is most likely from the English brand Hackett London. It particularly resembles Hackett’s “Chelsea” cut suit. The Hackett website has an interesting description for their “Chelsea” model:

For the classic Hackett Chelsea cut, think James Bond, who never lets trivial matters such as saving the world from super-villains get in the way of rocking a good suit … It tapers in to define the waist, with double venting used at the rear to ensure that the snug fit doesn’t become constrictive when sitting, or grappling with Russian spies. As you would expect with classic British style, combining subtlety and sharpness is the key here; high armholes accentuate a strong chest, but little to no padding allows the shoulder to gradually slope down, providing a more natural silhouette than Italian suits.

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Tanner wears this navy pinstripe suit on two occasions in Skyfall, and he wears it with a different shirt and tie each time. He favours stripes shirts. The first shirt is white with a pattern of thick light blue, medium blue and navy stripes, and the second shirt is cornflower blue with thick white stripes. Both shirts have a spread collar with medium-length points and a  considerable half-inch of tie space. The collar is too wide and short for Tanner’s round head. A more moderate spread with longer points would better flatter Tanner’s face. The shirts have double cuffs.

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When pairing a striped shirt with a striped suit the stripes need to be considerably different so they don’t clash. Usually the difference is achieved in the scale; the stripes on the second shirt (see below) are spaced much closer together than the stripes on the suit are. Though the spacing of the first shirt’s stripes is similar to the spacing of the suit’s stripes, the much more intense stripes on the shirt prevent it from clashing with the very subtle pinstripes on the suit.

The tie that Tanner wears with the first shirt is navy with small white boxes arranged in a grid. The tie he wears with the second shirt is navy with larger pink squares in a diagonal layout. He ties his ties in four-in-hand knots. With all of his suits, Tanner wears black oxfords with a chiseled toe and black Dainite studded rubber soles, and his trousers are supported by black belt that matches his shoes.

The second shirt and tie that Tanner wears with his navy pinstripe suit

The second shirt and tie that Tanner wears with his navy pinstripe suit

Draco’s Suits: Navy Nailhead and Grey Chalkstripe

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Marc Ange Draco (Gabriele Ferzetti) in On Her Majesty’s Secret Service is one of Bond’s best-dressed allies of the series. He is introduced wearing a perfectly-fitted navy nailhead three-piece suit made by Dimi Major, who also made George Lazenby’s tailored clothing for the film. Nailhead is not to be confused with birdseye, but both are tiny repeating patterns. Whilst birdseye is a specific pattern of round dots with a unique weave, nailhead can be a variety of patterns. In any case, the nailhead is a pattern of squares rather than circles, or it’s a small pattern on a square grid unlike the diagonal repeat of the bridseye pattern. Draco’s nailhead suit is similar to the diagram below:

Draco-Nailhead

Draco’s suit jacket is a button three suit with the lapels gently rolled over the top button. It has a structured cut with straight, padded shoulders cut on the bias, gently-roped sleeveheads, a full-cut chest and a suppressed waist. The jacket’s front darts continue straight down below the jetted hip pockets to the jacket’s hem. There are three buttons on the cuffs and no vents. The suit’s waistcoat has six buttons with five to button. The suit’s trousers have a darted front, slanted side pockets and a tapered leg with deep two-inch turn-ups. The suit is trimmed with black horn buttons.

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The suit overall has a very timeless style with balanced proportions. Whilst Draco’s suit doesn’t look as modern as George Lazenby’s Bond’s suits do, it doesn’t look old-fashioned either. If the jacket had pocket flaps and vents it would easily look more modern.

Draco’s pale blue shirt has a moderate spread collar, front placket and mitred two-button cuffs, with the outer button left open. The navy tie has wide grey repp stripes bordered by narrower champagne-coloured stripes, with the stripes in the British direction. Draco ties it in a four-in-hand knot. He finishes the outfit with black shoes and a red carnation in his lapel.

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Later in On Her Majesty’s Secret Service Draco wears a dark grey flannel chalkstripe double-breasted suit that isn’t seen much. The suit jacket has the same straight, padded shoulders with roped sleeveheads that the three-piece navy nailhead suit has. The very wide peaked lapels with a considerable amount of belly, however, give the suit a distinct 1930s look. The white shirt that Draco wears with the double-breasted suit is made in the same style that he wears with the three-piece suit with a moderate spread collar and front placket. The tie has repeated sections of small mid blue, turquoise and green stripes on a navy ground, and Draco ties it in a four-in-hand knot.

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