The Persuaders: A Sporty Striped Suit

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Though Roger Moore wears the flashiest clothes of his career playing Lord Brett Sinclair in The Persuaders, the suits are also amongst the best-tailored and best proportioned of any of Moore’s suits. Cyril Castle, who made Moore’s suits for The Saint and for his first two Bond films, made the suits for The Persuaders. Castle experimented with fashion trends more than most Mayfair tailors did, but at the time The Persuaders was made in 1971 the narrow styles of the 60s were out and the wide styles of the 1970s hadn’t fully taken hold yet. The suits in The Persuaders instead get their flashiness from unconventional colours and patterns along with the occasional odd detail. Roger Moore himself is responsible for all the flashiness, and he is credited with designing Lord Sinclair’s clothes.

Persuaders-Cream-Stripe-Suit-3The episode of The Persuaders titled  “Nuisance Value” features a very unique striped double-breasted suit, and the cloth is what makes it most remarkable. It has a cream base with thick light brown stripes, and medium grey pinstripes are closely spaced in-between the light brown stripes. The medium grey pinstripes also border each light brown stripe. Though striped suits are ordinarily thought of as business suits, this isn’t a typical pinstripe, rope stripe or chalk stripe suit. These stripes unquestionably have a sportier look, and such a sporty suit is appropriate for the Lord Brett Sinclair character who wears suits for fun.

Persuaders-Cream-Stripe-Suit-2The suit jacket is cut in Cyril Castle’s usual double-breasted style. It has six buttons with two to button, and the jacket is cut with an extemely narrow wrap (the overlap in front). The narrow wrap makes the buttons very close together horizontally compared to their farther vertical distance to give the jacket more vertical lines and help slim the slightly heavyish Moore. The jacket has softly-padded shoulders, roped sleeveheads, a lot of fullness in the chest and a nipped waist. The peaked lapels are made in the Tautz style, in which the top edge of the lapel points horizontally rather than angles up. The lapels are on the wider side of classic width, and, as usual for Castle, there’s only a buttonhole in the left lapel. Double-breasted jackets traditionally have a buttonhole in each lapel since both sides of the jacket fasten. Like on the jackets that Moore wears in his first two Bond films, this suit jacket has flared link-button cuffs, slanted pockets and deep double vents. The buttons are smoked dark grey mother of pearl, which add some additional flash to the suit. The suit trousers have a dart on each side of the front, and an offset jetted frogmouth pocket cuts through the dart. The trousers legs are tapered to the knee and straight from the knee down. Moore wears the trousers with a belt.

Persuaders-Cream-Stripe-Suit-4Under the suit Moore wears a peach-coloured shirt from Frank Foster. It has a spread collar, placket and button-down cocktail cuffs that fasten around the wrist with a single button. Peach isn’t a traditional colour for formal shirts, but it’s similar to the classic ecru only a little darker and with a hint of pink. The champagne-coloured tie is a couple shades darker than the shirt, and it pulls out the light brown stripes in the suit. It is tied in a four-in-hand knot. When Moore opens his jacket we can see that the tie is too short and wider than the lapels, but since most of the tie is obscured inside the jacket—and the jacket should always be kept fastened—neither of the tie’s problems actually matter.

Persuaders-BootsMoore’s zip boots are even more fashionable than the colour of his shirt or the pattern of his suit. The boots’ light brown colour fits the Spanish setting and complements the warm colours in the rest of the outfit. The height of the boots is difficult to describe, since they are taller than ankle boots but shorter than mid-calf. They have a square toe and leather soles. Like most of Moore’s shoes, these zip boots are likely Italian-made. Zip boots are ordinarily too casual to wear with a suit, but the sporty nature of this suit makes zip boots almost appropriate.

Persuaders-Grey-Stripe-SuitThis cream, brown and grey-striped suit could easily be confused for another very similar suit that Moore wears in The Persuaders. In the same episode Moore wears another suit that is in the same pattern, but it has a light grey base with thick dark grey stripes instead of a cream base with light brown stripes. Like the cream-based suit, the grey-based suit also has medium grey pinstripes. Both suits have the same cut and same details, except the grey suit has a larger wrap than the cream suit has. Moore wears the all-grey suit with an open-collar black shirt, and a black silk day cravat is tied inside the collar but hangs outside the shirt. He also wears black slip-on shoes, which echo the black shirt and go well with the greys in the suit.

Remington Steele: The Double-Breasted Power Suit

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The 1980s “power suit” look was something James Bond mostly avoided, but it became a big part of Pierce Brosnan’s look in Remington Steele. The power suit is characterised by a jacket with large shoulders, a low buttoning point and a low gorge and full-cut trousers with double or triple reverse pleats. Brosnan’s grey striped double-breasted suit in the 1985 Remington Steele episode “Springtime for Steele” fits the 1980′s power suit mould perfectly, but even though the suit looks dated now it’s still very flattering on Brosnan. This suit first appeared in Remington Steele in the 1984 episode “Woman of Steele”, and it was a much more fashionable suit than what Roger Moore was wearing as James Bond at the time. Apart from a low button stance, Roger Moore’s suits as Bond in the 1980s avoided most 80′s trends in favour of a more timeless style.

Remington-Steele-Grey-Power-Suit-2Brosnan’s suit has 3/4″ stripes alternating slightly lighter and darker greys, and those stripes are framed by alternating white pinstripes and chalk stripes. Fancy stripes like the one this suit is were very popular in the 1980s and were integral to the power suit look. The double-breasted jacket has six buttons with one to button, a style popular from the mid 80s to the early 90s. Double-breasted suits like this were occasionally made in the 1930s, but at that time the still-classic button two cut made up the majority of double-breasted suits. However, it wasn’t uncommon for people to fasten their button-two double-breasted suits only at the bottom button for an effect similar to what Brosnan wears here. A double-breasted suit that buttons only at the bottom has a longer lapel line that is very flattering to shorter men, but in Brosnan’s case the longer lapel line gives him the strong-looking V-shaped torso that he lacks. On the other hand, buttoning the jacket so low means that the jacket’s fulcrum doesn’t match with the body’s waist and natural fulcrum. The jacket moves poorly with the body, and folds radiating from the bottom buttons occur with the slightest movements because of the unnaturally low fulcrum. The folds are not an issue with the fit but instead an unavoidable issue with such a low buttoning point. Even the Duke of Windsor and his contemporary the Duke of Kent had this problem from buttoning their double-breasted suits at the bottom. Overall, Brosnan’s suit jacket fits very well. Though the low button stance makes the front look sloppy, the back has a perfectly smooth fit and the sleeves drape elegantly.

Remington-Steele-Grey-Power-Suit-3Along with the low 1980s button stance came the low gorge, which is results in low lapel peaks. The low gorge actually goes well with the low button stance since it shortens the lapel line. Otherwise, a regular, higher gorge height with such a low button stance would result in ridiculously long lapels. The low gorge makes the low button stance look less awkward, and along with the low button stance contributes to a more relaxed look. The lapels follow tradition with a buttonhole on each side to match the buttonholes and buttons on both sides of the jacket.

A power suit wouldn’t be complete without copious amounts of shoulder padding. Brosnan’s suit jacket has plenty of shoulder padding, which makes the shoulders straight and close to parallel with the ground. Brosnan’s slight build certainly benefits from shoulder padding, though nobody needs as much padding as this jacket has. Though the shoulders are built up, they are not built out. That style came later in the 80s, which is evident on the suits in Timothy Dalton’s two Bond films.

Remington-Steele-Grey-Power-Suit-4The built-up cut of power suits in the 1980s mimicked styles from the 1930s and 1940s. Many details from that era also returned, like jetted pockets and no rear vent. Jackets without vents aren’t good for Brosnan since he has the habit of keeping his hands in his pockets. Without vents in the back, the jacket rides up. If he had double vents, he could keep his hands in his pockets and the jacket would still look neat. The jacket’s cuffs have three buttons. The suit trousers have double reverse pleats and a full, straight leg with plain hems. Though braces were a common part of the power suit look, Brosnan rarely wore them in Remington Steele and instead wears a belt with this suit. This suit could possibly be Italian in origin, since the Italians were best-known for making such power suits in the 1980s, but an American tailor could also have been responsible for this suit.

Remington-Steele-Grey-Power-Suit-5Brosnan’s white shirt has a point collar, double cuffs and a placket down the front. The placket is stitched 3/8″ from the edge, which means the shirt is likely English in origin. A power suit wouldn’t be complete without a “power tie”. A power tie is any brightly-coloured tie, but red is the quintessential power tie. Brosnan’s tie is red with navy stripes in the English direction. The navy stripes are bordered by brown pinstripes, and there’s also a brown pinstripe through the centre of each navy stripe. The tie has the look of a regimental stripe, but it most likely isn’t one since the Steele character has no prior affiliations. He knots the tie in an asymmetrical, though rather chunky, four-in-hand knot. It could possibly be a double-four-in-hand knot. A stuffed red silk pocket handkerchief with a navy edge complements the tie. Because Brosnan is wearing this suit in the evening, he wears it with black shoes and a black belt. During the daytime in other episodes, Brosnan wears this suit just as successfully with brown leather.

Dream House: Double-Breasted Suit and Overcoat

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Daniel Craig wears a double-breasted suit with a double-breasted overcoat in the 2011 film Dream House. This double-breasted suit is not a suit James Bond would wear. The cloth is a fancy stripe with sections of fine brown and blue stripes between thick medium blue stripes, which are bordered by navy stripes that are half the thickness of the medium blue stripe. It’s also hard to imagine James Bond wearing a double-breasted suit again, but Daniel Craig looks good in it. This one has four buttons with two to button. Craig only buttons the top, but since the button stance is rather high it would look better with both buttons fastened or just the bottom button fastened, like how the Duke of Kent and the then Prince of Wales wore theirs. It has straight shoulders with roped sleeveheads, a clean chest and slightly narrow lapels. There are four buttons on the cuffs, flap pockets and double vents. We don’t get a good look at the front of the the trousers, but they are probably flat front. They have a plain hem.

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Skyfall isn’t the first time Daniel Craig wears a tab collar. Craig’s white poplin shirt has a tab collar and double cuffs. The collar is is narrower than the collar in Skyfall, making it look more old-fashioned whilst also being less flattering to Daniel Craig’s face. His tie is navy with a printed pattern in medium blue, which matches the colours of the suit’s stripes. it’s tied in a four-in-hand knot, which is the only knot that will fit in such a narrow collar. The silk pocket handkerchief is medium blue with a thick navy border, also pulling from colours in the suit. His shoes are chestnut brown derbies, but he makes the mistake of wearing a black belt with his suit trousers. It’s something he’s done again in the Bond series as well, but at least when he has the jacket on the belt is hidden.

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Over his suit, Daniel Craig wears a rather unconventional Chesterfield-style coat. It’s neither as dark as the traditional Chesterfield nor does it have a velvet collar—which isn’t necessary for the coat to be a Chesterfield—but in all other ways it fits the name. It’s difficult to wear a double-breasted overcoat with a double-breasted suit since there are so many layers in front. The double-breasted closure has six buttons with two to button and the hem hits just below the knee. The overcoat has set-in sleeves, darts in the front, three-button cuffs, a breast pocket and slanted hip pockets with flaps, which are for the most part kept tucked into the pocket. The cloth is a light grey and dark grey glenstripe, which is like a Glen Urquhart check sans the crosswise overcheck. The warp alternates in sections of four light and four dark yarns with sections of two light and two dark yarns. The filling just alternates with two light and two dark yarns. With the overcoat, Daniel Craig keeps warm with red-brown leather gloves.

It’s a flashier outfit than James Bond would ever wear. Whilst it’s not particularly fashionable, it’s very stylish. The suit’s cloth, cut and style along with the tab-collar shirt gives this outfit a very 1960s look, making it one of Daniel Craig’s most interesting outfits outside of the Bond series.

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Bill Tanner: Double-Breasted Rope Stripe Suit

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In For Your Eyes Only, M’s chief of staff Bill Tanner, played by James Villiers, dresses in a manner very suitable for a man in a high position. He wears classic double-breasted suits that are cut almost exactly the same as what you’d find from an English tailor today. His suit jackets have six buttons with two to button, and their lower placement is the only thing that separates them from what’s currently fashionable. The jackets have a classic Savile Row silhouette with a clean chest and a straight shoulder on the natural shoulder line. They have flapped pockets and double vents. For this article we’ll just look at the charcoal rope stripe suit.

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The shirt Tanner wears with this suit is a fine grey and white stripe. Grey shirts aren’t nearly as popular as blue and white, or even cream, but they’re a classically-stylish option in lighter tints. It has a small spread collar and rounded button cuffs. Tanner adds colour to his outfit with the tie and pocket square. The tie is a regimental stripe in navy and alternating red and maroon. It’s very similar to the well-known Brigade of Guards tie, but the tie only has one shade of red. Can anyone identify this tie? He ties it in a four-in-hand knot, and he matches a navy silk pocket square to the navy in the tie.

Buttoned at the bottom

Buttoned at the bottom, not the same as in the photo above

There’s a continuity error in the way Tanner buttons his suit jacket. In some shots he buttons the jacket the conventional way, with only the middle row fastened. In other shots he has only the bottom row fastened. Both are legitimate ways to fasten a double-breasted jacket, but the stiffer canvas on this jacket means the lapel doesn’t roll over the middle button so well when only the bottom is fastened. There are also a couple of fit problems with this outfit. The back of the coat doesn’t fit so well over the shoulder blades and the shirt sleeves are too short—but the jacket sleeves look fine. But overall it’s a very tasteful outfit and it commands the authority necessary for his position during M’s leave.

The Olive Suit

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In The Man with the Golden Gun, Roger Moore wears a more adventurous wardrobe than he did in Live and Let Die. For one of the furthest suits from what Sean Connery had established as the classic Bond look, Moore wears a dark olive, double-breasted suit cut by Cyril Castle. The suit has very closely-spaced lighter pinstripes with wider-spaced red chalkstripes. The jacket has six buttons on the front with two to button, double vents, slightly slanted pockets with flaps, and flared link-button cuffs. The trousers have a darted front and flared leg.

Olive-Suit

The shirt is a white and gold bengal stripe in a twill weave, made by Frank Foster. The shirt has a spread collar, placket front and and two-button cocktail cuffs. The tie is light olive shantung silk, tied in a four-in-hand knot. Even though the outfit is in all earth tones, Moore wears black shoes. But because this suit is worn after dark, black shoes are appropriate, and they don’t clash when not in daylight.

Rolex

Bond’s Rolex Submariner with a close-up of the striped suit and shirt cloths

The Persuaders: The Striped Blazer

In the last of Roger Moore’s many television programmes, The Persuaders!, Moore took an extra role in designing the wardrobe of his character Lord Brett Sinclair. Moore was, at the time, the director of cloth merchant Pearson + Foster, which made suitings for both him and Tony Curtis in The Persuaders!. As a result, Moore wore some of the most unique and interesting fabrics of his career at this time. These bold fabrics were quite appropriate for an English lord and playboy, though too over-the-top for James Bond. Moore’s tailor from The Saint, Cyril Castle, still tailored the clothing. The example here is a double-breasted blazer in a bold, original pattern of wide maroon and green stripes with dark brown/green pinstripes. The fabric is influenced by striped boating blazers, which are usually single-breasted with more contrast in the stripes. The images here are from the second episode, “The Gold Napoleon,” though Moore wore this blazer many times throughout the series in the South of France.

The 6-button blazer in the traditional 2-to-button configuration has crested silver buttons. The wrap (front overlap) is narrower than the typical double-breasted jacket, and the top vestigial buttons are also placed in closer than what is typical. It is cut with soft shoulders, a clean chest, a nipped waist and a long, flared skirt with deep double vents. The blazer has 1-button gauntlet cuffs (with a rounded turnback) and slanted pockets.

Notice Moore’s gauntlet cuffs
In “The Gold Napoleon,” Moore wears the blazer with golden beige wool trousers with plain bottoms and frogmouth pockets. The shirt by Frank Foster is made of a pale lavender poplin with a spread collar and button-down turnback cuffs, which will be discussed in more detail at a later date. The tie is green leaves on a silver ground, tied in a four-in-hand knot. Moore match his trousers with beige socks and wears light brown slip-ons.