In Die Another Day, Bond is held by MI6 in a secured hospital room wearing pyjamas provided for him. A hospital gown would be expected for a scene like this but it’s much better to see Bond in pyjamas. The pyjamas are very basic. The shirt has four buttons, a breast pocket and long sleeves without cuffs. The trousers have a drawstring waist. The outfit is like a combination between pyjamas and scrubs, probably made in the same light blue cotton/polyester material and made with the same cheap construction.
Most men don’t travel with dressing gowns and instead wear the ones provided by the hotels they stay at. More often than not, the dressing gowns Bond wears are not his own. Some are nicer than others, and the one Bond wears in his hotel suite in San Monique is one of the more luxurious ones. It’s a rather nice dressing gown for one provided by a hotel, and even better hotels typically only provide basic terrycloth robes since they can easily be washed in hot water with the towels. This is a traditional dressing gown with a shawl collar and belt, and it has a breast and two hip patch pockets. Bond turns back the cuffs, which have a short vent at the end. The dressing gown is made from a dark blue plush material with a simple light blue embroidered paisley design. The pattern looks dated now, but not terribly so. It’s a suitable dressing gown for a 1973 James Bond.
Some of us may be experiencing warm weather at this time of year. Whilst in Jamaica in Dr. No, James Bond sleeps in only white pyjama trousers. Like most, they have a full cut and drawstring waistband. They are most likely made of a fine Sea Island cotton, which is soft, lightweight and comfortable in the heat. The alternative would be silk, which wears warm and is best avoided on hot summer nights.
In Dr. No, James Bond returns to his flat after a briefing at the office. Bond is wearing a dinner suit and carrying a chesterfield and homburg. Beside the front door we see an umbrella stand holding a classic stick umbrella with a black canopy, an item we’ve never seen Bond use. A brown trilby is sitting on top of the umbrella. Bond removes his shoes in the foyer and proceeds to his bedroom in stocking feet. When Bond opens the door the first item of clothing we see is a dark hat lying on its crown on the floor, and Sylvia Trench is using it to improve her golf game. The hat at first resembles as bowler, but it doesn’t have the brim of the bowler. It could just be a trilby with the crown pushed out. A pair of charcoal trousers is on a hanger, hanging on a the closet door, and they are likely the same trousers Bond wears later with his navy blazer.
Sylvia Trench puts on one of Bond’s pyjama shirts. The shirt is made of a self-stripe off-white cotton and has light blue piping along the edges as well as on the patch chest pocket and the base of the cuffs. The shirt has a straight hem all the way around the bottom with no vent. There are four buttons down the front, of which Trench buttons the bottom three. A shawl collar is cut from the same piece as the shirt’s front panels. We can also see a light blue piece of clothing sitting on a chair behind Trench, but it’s difficult to tell what it is.
Roger Moore is introduced as Bond in a dressing gown and pyjamas. Live and Let Die was a big movie for dressing gowns (with Bond wearing three total). The half-sleeve cotton dressing gown is pale yellow with a subtle floral motif and red piping. The yellow is characteristic of the 1970s and even matches Bond’s bedding. But it’s still not quite as outdated as Bond’s kitchen. The dressing gown has a shawl collar and a belted waist. The breast pocket is monogrammed “J.B.” in burgundy silk, so you may notice the monogramme does not match the piping. The dressing gown is lined in yellow silk.
The pyjama bottoms match the dressing gown. The dressing gown and pyjamas came from Washington Tremlett Ltd., The store was then located at 41 Conduit St. in London right next door to Moore’s tailor Cyril Castle, who was located at 42 Conduit St.
Bond also wears purple velvet Prince Albert slippers, also monogrammed. The monogram is in gold thread and the slippers have light purple piping. All three pieces of this outfit together were sold at Christie’s in South Kensington on 14 February 2001 for £7,050.
In the final scene of Live and Let Die, Bond wears a dressing gown in a terrycloth with a short pile. It has a base in white and red, which may have been achieved by using a white pile with a red ground. It has thick navy windowpane with a thinner red windowpane offset on top. The dressing gown has a shawl collar, set-in sleeves, a belt tied around the waist, and two patch pockets below the belt. Bond rolls back the cuffs, showing that the terry cloth is double-sided.
Most of the villains in the Bond films have expensive tastes, and Bond occasionally enjoys borrowing their things: their vehicles, their champagne, their women, and their clothing. At the end of The Man With The Golden Gun, Bond escapes from Scaramanga’s Island in his junk and puts on Scaramanga’s luxurious black silk dressing gown. It’s a basic dressing gown with a shawl collar and a belt. It is lined in a white fabric, probably also silk. Now that Scaramanga is dead, he won’t mind Bond wearing his clothes, though I’m not sure I would care to wear another man’s dressing gown. Hopefully it’s clean!
In Goldfinger, Bond wears a black and white nailhead dressing gown in his hotel suite at the Fontainebleau Miami Beach. The dressing gown has turn-back cuffs and a shawl collar with black piping. There is a jetted pocket on the left side of the chest. The dressing gown reaches below the knee and is tied around the waist with a belt. There appears to be some type of design or logo on the each end of the belt. Underneath the dressing gown Bond wears light blue pyjama bottoms. The pyjama bottoms have an elastic waist, tied with a white drawstring. Jill Masterson wears Bond’s matching pajama top.