James Bond recovers from Le Chiffre’s torture in Casino Royale wearing comfortable, loose clothing. The first outfit consists of a dressing gown over a jumper and t-shirt. The dressing gown is made of woven cotton in navy with a white grid check, and it has a shawl collar and a patch breast pocket. It probably has a belt and patch pockets on the hips, but we don’t see them since Bond is covered in a white towel below the waist. The light grey ribbed wool V-neck jumper has a full fit. Under the jumper, Bond wears a black crew-neck t-shirt.
Bond later recovers in a light blue cotton dressing gown. This gown has collar but Bond doesn’t fold it over. Under this dressing gown Bond wears a dark grey crew-neck t-shirt and navy sweatpants. His shoes are brown trainers.
As Bond’s recovery progresses he wears another outfit made up of parts of the previous two outfits. He again wears the light grey V-neck jumper from the first recovery outfit with the navy sweatpants from the second recovery outfit. Under the jumper he wears a white t-shirt, and white underwear peaks out above the trousers. His shoes are white trainers. The clothes in these three outfits are all worn for comfort and not style. One could say the jumper is too baggy or that James Bond should never wear sweatpants, but Bond is appropriately dressed for his situation, and he doesn’t look so bad either.
In For Your Eyes Only, Bond wears two bathrobes aboard the research vessel Triana. After being painfully pulled through the water in his t-shirt and cotton trousers, Bond dons the most comfortable thing he can: a terrycloth bathrobe. Bond has worn terrycloth bathrobes starting in Dr. No, but they are likely never his own. This one his most likely found in a closet on the ship. The prussian blue terrycloth has a pile of very long, absorbent loops that dry him and keep him warm. It’s not luxurious but it serves its purpose. The robe has raglan sleeves and a shawl collar, and there are three stripes of the cloth missing the pile around the collar. Though we don’t see much of this bathrobe, it most certainly has a belt around the waist, and it probably has patch pockets under the belt.
The second robe is a more lavish white velour, the kind you might find in the closet at a luxury hotel. Velour is knitted and has a fine cut pile, which is very soft but not so absorbent. Some are lined in terrycloth to be a more absorbent bathrobe, but if not it’s great for lounging around. Like a more classic dressing gown it has a shawl collar, a belted waist, a patch breast pocket, two patch pockets below the belt and set-in sleeves with turnback cuffs. Like the blue bathrobe, this robe is most likely not Bond’s own and probably belonged to Sir Timothy Havelock, the owner of the Triana.
Most men don’t travel with dressing gowns and instead wear the ones provided by the hotels they stay at. More often than not, the dressing gowns Bond wears are not his own. Some are nicer than others, and the one Bond wears in his hotel suite in San Monique is one of the more luxurious ones. It’s a rather nice dressing gown for one provided by a hotel, and even better hotels typically only provide basic terrycloth robes since they can easily be washed in hot water with the towels. This is a traditional dressing gown with a shawl collar and belt, and it has a breast and two hip patch pockets. Bond turns back the cuffs, which have a short vent at the end. The dressing gown is made from a dark blue plush material with a simple light blue embroidered paisley design. The pattern looks dated now, but not terribly so. It’s a suitable dressing gown for a 1973 James Bond.
Some of us may be experiencing warm weather at this time of year. Whilst in Jamaica in Dr. No, James Bond sleeps in only white pyjama trousers. Like most, they have a full cut and drawstring waistband. They are most likely made of a fine Sea Island cotton, which is soft, lightweight and comfortable in the heat. The alternative would be silk, which wears warm and is best avoided on hot summer nights.
In Dr. No, James Bond returns to his flat after a briefing at the office. Bond is wearing a dinner suit and carrying a chesterfield and homburg. Beside the front door we see an umbrella stand holding a classic stick umbrella with a black canopy, an item we’ve never seen Bond use. A brown trilby is sitting on top of the umbrella. Bond removes his shoes in the foyer and proceeds to his bedroom in stocking feet. When Bond opens the door the first item of clothing we see is a dark hat lying on its crown on the floor, and Sylvia Trench is using it to improve her golf game. The hat at first resembles as bowler, but it doesn’t have the brim of the bowler. It could just be a trilby with the crown pushed out. A pair of charcoal trousers is on a hanger, hanging on a the closet door, and they are likely the same trousers Bond wears later with his navy blazer.
Sylvia Trench puts on one of Bond’s pyjama shirts. The shirt is made of a self-stripe off-white cotton and has light blue piping along the edges as well as on the patch chest pocket and the base of the cuffs. The shirt has a straight hem all the way around the bottom with no vent. There are four buttons down the front, of which Trench buttons the bottom three. A shawl collar is cut from the same piece as the shirt’s front panels. We can also see a light blue piece of clothing sitting on a chair behind Trench, but it’s difficult to tell what it is.
If a man wears something made of terrycloth it’s typically a robe. In honour of Sean Connery’s birthday, we’ll look at a more unusual piece of towel-wear, a light blue playsuit from Goldfinger. A playsuit is a jumpsuit with short legs, something typically worn by women. They’re actually quite popular in women’s fashions this summer, but they’re not made of terrycloth. Bond’s playsuit zips three-quarters up the chest and has a button and loop that can close the top, which can occasionally be found of camp collars like this playsuit has. It has a built-in belt around the waist with elastic around the back. There’s an open patch breast pocket and large patch pockets below the belt.
Underneath the playsuit Bond wears tight slate blue swimming trunks, detailed with lighter blue bands just below the top of the waist and just above the hem of each leg. His shoes are light blue canvas slip-ons.
When at Shrublands helath clinic in Thunderball, Bond wears some towelling clothes provided by the clinic. His pale blue dressing gown has a narrow shawl collar, a patch breast pocket and a belted waist. It’s clearly not Bond’s own dressing gown due to it not fitting him so well, and the shoulders extend down his arms. The sleeves extend past the elbow, though if the shoulders fit properly the sleeves would end above the elbow. The length is a few inches above the knee, shorter than the typical dressing gown.
Under the dressing gown Bond wears a beige towel wrap around his waist. The wrap has an elasticised waistband that closes at the side and a patch pocket on the front.
Roger Moore is introduced as Bond in a dressing gown and pyjamas. Live and Let Die was a big movie for dressing gowns (with Bond wearing three total). The half-sleeve cotton dressing gown is pale yellow with a subtle floral motif and red piping. The yellow is characteristic of the 1970s and even matches Bond’s bedding. But it’s still not quite as outdated as Bond’s kitchen. The dressing gown has a shawl collar and a belted waist. The breast pocket is monogrammed “J.B.” in burgundy silk, so you may notice the monogramme does not match the piping. The dressing gown is lined in yellow silk.
The pyjama bottoms match the dressing gown. The dressing gown and pyjamas came from Washington Tremlett Ltd., The store was then located at 41 Conduit St. in London right next door to Moore’s tailor Cyril Castle, who was located at 42 Conduit St.
Bond also wears purple velvet Prince Albert slippers, also monogrammed. The monogram is in gold thread and the slippers have light purple piping. All three pieces of this outfit together were sold at Christie’s in South Kensington on 14 February 2001 for £7,050.