Le Chiffre’s Velvet Dinner Jacket


Although there was an attempt to make Mads Mikklesen’s Le Chiffre in Casino Royale a less flamboyant villain, at the poker table he wears a flashy black velvet dinner jacket with a black shirt. Costume designer Lindy Hemming describes Le Chiffre and his dinner jacket in Casino Royale‘s production notes: “Le Chiffre is a menacing man who lives in a twilight world. He’s not flashy, he’s secretive. He isn’t a man who is much interested in clothes, but what he wears is expensive and luxurious. His Brioni evening suit is velvet, to emphasize richness.” The all-black outfit, nevertheless, is something that identifies him as a villain. The button two dinner jacket has black grosgrain silk facings on the peaked lapels, breast pocket welt, hip pocket jettings and buttons. The jacket has four buttons on the cuffs, and Le Chiffre leaves the last one open. Beyond the velvet cloth, the dinner jacket breaks from tradition with a second button on the front, pocket flaps and a single vent.

Le-Chiffre-Velvet-Dinner-Jacket-2The button four waistcoat matches the black velvet dinner jacket, with the back in a black silk lining. Though proper black tie waistcoats have either three or four buttons, the buttons should be spaced close together and not further apart as they would on a button five or button six daytime waistcoat. The buttons on Le Chiffre’s waistcoat are spaced apart like on a daytime waistcoat, and as one would on a daytime waistcoat Le Chiffre leaves the bottom button open. On the traditional low-cut black tie waistcoat all of the buttons should be fastened. Even though Le Chiffre’s waistcoat is poorly done, four buttons are better than the all-too-common five or six buttons that people often wear today.

Le-Chiffre-Velvet-Dinner-Jacket-3The wool trousers contrast the dinner jacket in texture, if not in colour as well. The trousers look dark grey in some shots and photos, but they are probably black. Velvet reflects far less light than other fabrics do, so comparing different black materials can be difficult. Le Chiffre wears the trousers with braces. The black dress shirt from Turnbull & Asser has a spread collar, double cuffs, a pleated front and a fly placket that hides the buttons. He wears a black bow tie and black calf derby shoes.

Le-Chiffre-Velvet-Dinner-Jacket-4Le Chiffre also has a black overcoat, but we only see him carrying it and not wearing it. He also has a grey scarf with crosswise stripes, and it’s most likely cashmere.

Le Chiffre’s black tie outfit sold for £20,000 at Christie’s in South Kensington at “50 Years of James Bond: The Auction”, which took place from 28 September 2012 to 8 October 2012.

An Unused Brown Pinstripe Suit


Clothes are often made for film productions that are either never used or made as a gift for the stars. Diamonds Are Forever features a staggering seven lounge suits, three sports coats and three dinner jackets. It is the most tailored clothing that Bond wears in any one film, but Sean Connery’s tailor Anthony Sinclair made even more clothes than that for Diamonds Are Forever. Sinclair also made a chocolate brown pinstripe worsted two-piece suit at the same time as he made the rest of the suits, but it didn’t feature in the film. It has a button two jacket with slanted flap pockets, and it most likely has double vents like the rest of the suits in the film have.

The suit was sold at Christie’s in South Kensington on 17 September 1998, and it can be seen in the picture above from the Christie’s catalogue on the right beside the black dinner suit and cream linen suit, both also from Diamonds Are Forever. This brown pinstripe suit sold for £575, which is considerably less than the selling prices of the suits that Sean Connery actually wears in the film.

Woman of Straw: The Charcoal Flannel Suit and Navy Overcoat


It’s time again to look at one of Sean Connery’s Goldfinger suits in its original setting in Woman of Straw. Both Goldfinger and Woman of Straw end with Sean Connery in the same charcoal grey woollen flannel, three-piece suit. This slightly rustic suit does just as well in Woman of Straw‘s country setting as it does in Goldfinger‘s dressier setting of Bond on his way to meet the president. It’s Connery’s usual Anthony Sinclair suit. The button two jacket has natural shoulders with roped sleeveheads, a full chest and a nipped waist. It has four buttons on the cuffs, jetted pockets and no vent. The waistcoat has six buttons with five to button, though Connery fastens the bottom button. Because the bottom button is not meant to close, the bottom of the waistcoat bunches up rather unattractively. The trousers have double forward pleats and button side adjusters.

Woman-of-Straw-Grey-Flannel-Suit-2The shirt and tie differ slightly from what Sean Connery wears in Goldfinger. The elegant white shirt has a self-stripe pattern, which is either created by a mini-herringbone weave or a fancy white-on-white weave. Due to the country context the mini-herringbone is more likely since it’s not as formal as a white-on-white stripe. The shirt has a spread collar, front placket and double cuffs with rounded corners. The black satin tie is a little formal for a woollen flannel suit, but at the same time it creates a pleasant contrast with the texture of the flannel suit. It is tied in a small four-in-hand knot. Like in Goldfinger, Connery wears a white linen handkerchief in his breast pocket, but here it’s folded in a single point instead of in a TV fold. His shoes are black.

Woman-of-Straw-Navy-OvercoatSean Connery wears two stylish double-breasted overcoats in Woman of Straw that didn’t make it into Goldfinger. Over this charcoal flannel suit he wears a very dark navy double-breasted, knee-length overcoat. It has six buttons with three to button, narrow notched lapels and slanted hip pockets. The overcoat is cut with natural shoulders, has set-in sleeves and is slightly shaped through the body. There’s no name for this style of overcoat, but nevertheless it is a very elegant coat. With the overcoat Connery has a dark hat with a white lining, but it’s difficult to what type of hat it is or what colour it is. A trilby would be most likely considering the relative informality of the coat and flannel suit, and it could be the same brown trilby that Connery wears in Goldfinger or one similar to it.


Introducing Daniel Craig


Daniel Craig was announced as the new James Bond in Casino Royale at a lavish press conference on 14 October 2005, which was coincidentally Roger Moore’s 78th birthday. For this event Daniel Craig wore a Brioni suit, which at the time was a well-recognised part of James Bond’s image. Though his suit was reported by People to be “charcoal grey,” the suit looks more like charcoal blue, if not navy. The colour, whatever it actually is, was the right choice. Blue is Daniel Craig’s best colour and is the classic Bond colour as well, at far as Fleming is concerned. The suit has a button two jacket cut with Brioni’s usual straight, padded shoulders and roped sleeveheads, and it has medium-width lapels, flapped pockets and double vents. The trousers have a flat front and a slight taper to the leg with a plain hem. This suit is as evenly balanced as a suit can be and will never look outdated. It’s most likely a ready-to-wear suit, judging by the less than perfect fit. Whilst there aren’t any significant fit problems, the jacket could use a little more shaping.

Craig’s sky blue shirt has a spread collar and double cuffs. His red tie has a pattern of fancy yellow and purple spots, and it is tied in a four-in-hand knot. With the suit he wears a black belt and black derby shoes. Since Daniel Craig and Casino Royale were on their way to taking James Bond back to his roots, this rather unremarkable outfit looks appropriately less luxurious than Brosnan’s Brioni suits that came before. The first-rate quality, however, is still present. These clothes don’t draw attention to themselves, good or bad, but at the same time Bond’s clothing should be a little more interesting. And indeed a little more interesting the clothing was in Casino Royale.

Danger Man: Nailhead Suit


In my last post on Danger Man there was some doubt as to whether or not the suit was from Sean Connery’s tailor Anthony Sinclair, whom Danger Man‘s star Patrick McGoohan also patronised. In the 1965 Danger Man episode titled “The Mercenaries”, McGoohan wears a button two suit that more closely resembles Connery’s suits. The natural shoulders have gentle roping, the chest is full-cut, and the front darts extend below the pockets to the bottom of the jacket to give extra fullness to the chest. The trousers have double forward pleats, but unlike Connery’s trousers these are designed to wear with a belt and have plain hems.

A closeup of the nailhead cloth.

A closeup of the nailhead cloth.

Besides the cut, the jacket’s cuffs button four like all of Sean Connery’s suits do. The pockets have flaps and there is no vent. This suit is in a lightweight semi-solid nailhead cloth, and thanks to colour stills we know that this suit is medium grey. Nailhead is often confused with birdseye, but they are neither the same pattern nor the same weave. Nailhead is made in an even twill weave and looks like a grid of squares.


McGoohan’s pale blue shirt has a spread collar and double cuffs. On black-and-white film, the shirt comes out as an uninteresting light grey. White shirts always look best in black-and-white, which is one reason why they were so popular in classic film. The tie is red with black stripes, and McGoohan wears it with a tie bar a little above the waist. Again, the tie looks really bland in black-and-white. McGoohan’s belt and shoes are black.


This episode features Shane Rimmer, who appeared in three James Bond films.

Jimmy Fallon Wearing the Skyfall Suit


For a few years now, American comedian Jimmy Fallon, host of Late Night with Jimmy Fallon, has been a fan of Tom Ford’s clothing. Last October when I was watching the show I noticed his suit he looked familiar. It was the Tom Ford O’Connor model, the suit designed for Daniel Craig in Skyfall. The ready-to-wear version of the suit is a button two instead of a button three like Daniel Craig wore, but everything else about the suit is the same. Like Craig’s suits, Fallon’s deep charcoal suit has narrow shoulders, narrow lapels, a shorter length, a single vent, button three cuffs and slightly slanted flap pockets. Though Fallon’s suit jacket is fashionably short like Craig’s, it’s not too tight like Craig’s suit jackets are. Fallon’s jacket are fitted closely through the body but don’t pull like Craig’s do.


Fallon wears a light grey shirt, also from Tom Ford. The shirt has a large spread collar and 2-button scalloped cuffs. Ford’s cuffs are a very unique design and something I’d like to see Bond wearing. The scalloped cuffs have an elegant curve, and whilst a few other brands offer such a cuff, none are as dramatic in size and shape as Tom Ford’s. Fallon’s tie is a large black and white gingham check, tied in a windsor knot. His shoes are black.

Tom Ford's 2-Button Scalloped Cuff

Tom Ford’s 2-Button Scalloped Cuff

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Woman of Straw: The Blue Suit from Goldfinger


The cloth of Sean Connery’s blue suit in Q’s lab in Goldfinger is quite mysterious. It is a heavy weight, has a mottled colouring and has a woollen texture. That means it’s most likely tweed. We get another look at the same Anthony Sinclair suit in Woman of Straw, and in this film—the suit’s original appearance—the suit is a three-piece. There’s no question it’s the same suit. The cut is the same button two with natural shoulders and a draped chest. It has swelled edges, cloth-covered buttons and jetted pockets. The vents are still a mystery. The poor lighting in this film makes the vent style difficult to make out, but I believe I see double vents. See the enhanced screenshot below.

Click image to enlarge

The trousers have double forward pleats. The waistcoat is the same style as the waistcoats in Goldfinger: six buttons with five to button. Connery, however, fastens the bottom button, which is meant to be left open. This disrupts the otherwise clean lines of the waistcoat. The covered buttons down the waistcoat make a big impact, since without the waistcoat the covered buttons almost go unnoticed. Covered buttons aren’t ordinarily seen outside of formalwear, but they were popular in the 1960s on lounge suits as well. The Avengers’ John Steed also wore suits with covered buttons.


This is a town and country suit, meaning it can effectively transition between relaxed country wear and business. The cloth has a country texture in a city colour, and the jetted pockets are a more formal city touch. Even though this suit is appropriate in both the city and country, it fits in better here than it does in Q’s lab. The houndstooth suit that Bond wears in M’s office also seems more appropriate in this film.

Connery wears this suit a few times throughout Women of Straw. Early in the film he wears a solid light blue tie, tied in a four-in-hand knot just like he does in Goldfinger. The white or off-white shirt has a moderate spread collar, a placket and double cuffs. Later in the film he wears a solid black tie, also tied in a four-in-hand knot, and the white or off-white shirt has a wider spread collar like in Goldfinger. He wears a white pocket handkerchief with both outfits.


Danger Man: A Fine Glen Plaid Suit


The 1960′s spy television show Danger Man has a lot in common with the Bond films. Danger Man was produced by Lew Grade’s ITC Entertainment, which also produced Roger Moore’s series The Saint and The Persuaders. Many of the guest stars in Danger Man have also appeared in the Bond films, including Anthony Dawson, Eunice Gayson, Walter Gotell, Charles Grey, Geoffrey Keen, Burt Kwouk, Bernard Lee, Desmond Llewelyn, Zena Marshall, Lois Maxwell, George Pastell, Donald Pleasence, Shane Rimmer, Robert Shaw and Paul Stassino. But the common ground between the Bond films and Danger Man continues. Patrick McGoohan, the star of Danger Man, had the same tailor as Sean Connery did, Anthony Sinclair. I think this plaid suit could be one of the suits Anthony Sinclair made for McGoohan, but it has more drape than Connery’s suits do.


McGoohan’s suits have a similar cut to Sean Connery’s suits, with natural shoulders, roped sleeveheads, a draped chest and a gently suppressed waist. Since the show began in 1960 the lapels are a little wider than on Connery’s suits, but the shape of the lapels is similar to the shape of the lapels on the Dr. No suits. This glen plaid suit, seen in the two images about in its first appearance from the fifth episode title “The Lovers”, has a button two jacket with flap pockets, four buttons on the cuffs and a single vent. The fine plaid is similar to plaid in Goldfinger, but this one has an overcheck that I would guess is light blue. If the plaid suit is the same one I’ve seen in colour publicity stills, the plaid is the traditional black and white.


In subsequent appearances, McGoohan occasionally wears this suit with a matching waistcoat. This can be seen in the images above and below, taken from the episode “The Sisters”. “The Sisters” briefly features Anthony Dawson, who went on to play Professor Dent in Dr. No. The waistcoat has six buttons with five to button, and when McGoohan wears the waistcoat he leaves the suit jacket unbuttoned. The suit trousers have double forward pleats and turn-ups, just like Connery’s suit trousers have.


In both appearances featured here, McGoohan wears the suit with a dark satin tie, tied in a four-in-hand knot, and a white shirt with a spread collar and double cuffs. The shoes are light brown two-eyelet, split-toe derbies. The character John Drake is supposed to be American in the first series, which would explain such light-coloured shoes with a suit. They at least look very nice with the suit on black-and-white film. Connery’s black shoes were typical for an Englishman.