Valentin Zukovsky, played by Robbie Coltrane, wears one of the more flamboyant warm-weather dinner jackets of the Bond series in The World Is Not Enough. White and other light-coloured dinner jackets are most appropriately worn in the tropics and in summer months in certain other parts of the world (not Great Britain), but Azerbaijan is not tropical and this film takes place during the winter. Zukovsky isn’t the only person in the casino wearing warm-weather black tie, but nobody else is wearing a dinner jacket quite like his. It’s a warm grey four-button double-breasted jacket with one to button. Light-coloured dinner jackets are ordinarily made without facings, but the satin silk lapels, hip pocket jetting, breast pocket welt and covered buttons make Zukovsky’s dinner jacket a rather flashy one. The cuffs button four and the jacket doesn’t have a vent. He wears the dinner jacket with black trousers.
Flashy clothes like this satin-faced warm-weather dinner jacket are typically left for the villains, and Zukovsky’s dinner jacket is remarkably similar to the dinner jacket that Peter Lorre’s Le Chiffre (right) wears in the 1954 “Casino Royale” television adaptation. Whilst Zukovsky isn’t exactly a trusted ally, he certainly isn’t a villain either. The flashiness of his dinner jacket, however, indicates that he’s not a man that Bond can put his trust in.
Some larger men can look good in double-breasted jackets since the two columns of buttons break up their breadth. The dinner jacket’s low buttoning give it flattering long lines whilst wider shoulders give the body better proportions. Even though the shoulders are wide, they aren’t built up as not to give Zukovsky extra bulk. The shoulders droop more than they should, but apart from that the dinner jacket fits fairly well. The front is cut with an extended dart, a style that is used by many Neapolitan tailors. The extended dart along with the natural shoulders could indeed mean that was made by a Neapolitan tailor, but tailors often use a separate cutting system for a corpulent man.
With the dinner jacket Zukovsky wears traditional black tie accessories. The white dress shirt has a point collar and double cuffs, both with edge stitching. Though English shirtmakers don’t ordinarily use edge stitching, some think it looks dressier than traditional quarter-inch stitching. The front has narrow swiss pleats and two visible black onyx studs. He wears a classic black thistle bow tie. His shoes are black.
With spring here, the polo jumper is a great and versatile casual piece for the season’s mild weather. Pierce Brosnan wears a black polo jumper in The Thomas Crown Affair for a game of golf, and though they can be found in wool I doubt Thomas Crown would ever wear a jumper made of anything less than cashmere. Fine merino wool or cashmere is necessary for knitwear that has direct contact with the skin because anything coarser would get itchy. It has a rather full fit, which was the fashion in the 1990s. It looks unattractively baggy around the waist, and the current trend toward closer-fitting knitwear is one to follow. Polo jumpers that have a taller collar than ordinary polo shirts can be worn casually under a sports coat, and they go especially well with tweed like Sean Connery wears in Diamonds Are Forever‘s pre-title sequence. It’s hard to tell if Pierce Brosnan’s polo jumper has a collar tall enough to wear under a jacket, but the key is for the collar to not get lost under the jacket.
The golf trousers aren’t nearly as versatile as the jumper. No trousers are too loud for the golf course, but Thomas Crown’s trosuers are rather tasteful in a dark blue and red plaid. Still, they wouldn’t work anywhere but on the golf course. If you have a pair of trousers that don’t go with anything, wear them for golf. I have two pairs that qualify, but I have yet to take up golf. Brosnan’s trousers have a flat front and plain hems. They have belt loops but Brosnan wears them without a belt. The top of the jumper covers most of the trousers’ waistband, and the lack of a belt makes the jumper’s ribbed hem look neater.
The shoes are chestnut-coloured split-toe norwegian-front derbies, and they are very similar to what Sean Connery wore for golf in Goldfinger. They have leather golf soles with cleats, attached with a 360º degree welt. This type of welt is when the stitching goes all the way around the top of the soles, as opposed to typical welted shoes where the welt stops at the heel (called a 270º welt or breast-to-breast welt). The American maker Allen Edmonds use a 360º welt on almost all of their shoes, but this type of welt can be found on more casual styles from many other makers, American and English. It’s not as sleek as the breast-to-breast welt, but it’s great for more casual styles like these norwegians. These shoes also have a kiltie, which is the fringed and brogued piece of leather that covers the lacing and eyelets.
The puffed silk pocket square is the standard for those who wish to add a splash of colour in their breast pocket instead of the staid folded white linen handkerchief. To create a puff, lay the handkerchief flat and pick it up by pinching it from the centre. Slide it though your hand to gather it together, turn up the bottom and place the pocket square in your breast pocket. Once in the pocket you can adjust the pocket square to puff it up.
In GoldenEye, Pierce Brosnan wears solid pocket squares that pick up one of the colours in his tie. In the M’s office scene, Brosnan matches a medium blue pocket square to the medium blue squares in the tie (right). A light brown or gold pocket square would also have been a good choice to echo the tie’s light brown squares. In the Q’s lab scene he wears another medium blue pocket square that is lighter than but still echoes the base colour of his tie (top). It’s the easiest choice to match the tie’s base colour, but it would be more interesting if Brosnan matched his pocket square to the red or yellow in the tie. He again wears a medium blue pocket square with his navy birdseye suit in Russia, which subtly echoes the lighter blue in the birdseye weave.
In The World is Not Enough, Pierce Brosnan wears a rather unexciting grey puffed silk pocket square with his pinstripe suit, but it echoes both the grey in the tie and the suit’s pinstripes. It’s a smart match whilst at the same time is subtle enough that it doesn’t look too studied.
Brosnan was no stranger to wearing puffed silk pocket squares in GoldenEye. He consistently wore them in Remington Steele, but then he most often went for the uninspired method of matching the pocket square to the base colour of his tie, and he occasionally matched his pocket square to his shirt as well. There were some exceptions to that, like in the second season premiere “Steele Away with Me”. Brosnan uses a red pocket square to echo the pink spots on his tie (left). It complements the outfit without looking too studied. But this method of matching the pocket square doesn’t only apply to matching with ties. Pocket squares can also be effectively used to echo the colour of a stripe or check in a shirt or a suit. Brosnan also could have worn a yellow pocket square to echo the stripes in his shirt.
Roger Moore shows in Moonraker how not to wear a pocket square, with his cream suit in Rio de Janeiro. He wears a light brown pocket square that’s such a close match to the shirt it’s probably made from the same cotton (right). Daniel Craig’s matching light blue pocket square and shirt aren’t so bad because they’re in a very neutral colour, but Moore’s shirt and pocket square are far more noticeable. A pocket square should not be an exact match to any other part of the outfit—unless it’s white or otherwise very neutral—or else it looks amateurish and unstylish. It’s a shame that Moore’s only pocket square in his seven Bond films is a failure since Moore is otherwise one of the most creatively-dressed Bonds.
Matching a patterned pocket square with a patterned shirt or tie can be difficult because there can often end up being too much going on. Wearing a patterned pocket square that has the same colours as the tie is almost as bad as wearing a matching tie and pocket square. If you find yourself often without a tie, a patterned pocket square can often be the best thing since it can add the interest that is lost without a tie. And no, there is no rule about not wearing a pocket square without a tie.
Sean Connery’s and Daniel Craig’s Bonds are both fond of the folded handkerchief in their jacket breast pockets. Sean Connery’s Bond always wears white linen—it goes with everything—whilst Daniel Craig’s Bond matches his cotton handkerchief to his white and light blue shirts. Though silk handkerchiefs are made only to be used pocket squares, cotton and linen handkerchiefs can be used either as a pocket square or as something to blow one’s nose in. Folding a handkerchief to wear as a pocket square is relatively simple, but depending on the size of the handkerchief it may need to be folded differently to fit in the breast pocket. The handkerchief should be folded to fill the breast pocket without being so tight that it binds when you move around. Bond typically uses a rectangular fold know as the TV fold or the presidential fold, amongst other names.
Most breast pockets will fit a handkerchief folded to roughly 3 inches wide. That’s easy with squares around 11 to 12 inches and around 17 to 18 inches. For squares of both those sizes fold it in half right side over left, and then fold if in half again top to bottom. Now you should have a single folded edge along the top, and this will be the top edge of the handkerchief that shows outside the breast pocket. If your initial square measured around 11 to 12 inches just fold it in half right side over left and you’ll have the right size to put in your breast pocket. If your initial square measured more than 12 inches you’ll need to fold it in three sections, though you may need to make one of the three sections smaller to better fill the space in the breast pocket. Again, keep the outside edge a folded edge. In my visual demonstration above I’m using a 15-inch handkerchief.
So far I’ve left out the final steps of placing the handkerchief in the breast pocket. Before placing the handkerchief in the pocket you have the option to iron it flat, which can tame springy linen. Fold it in half again bottom to top and place it in the pocket with the amount you want to show. The handkerchief won’t sit at the bottom of the pocket, so to get it to fill the height of the pocket I hold the top in place whilst using the back end of a pen or pencil to push the rest of the handkerchief down into the bottom of the pocket.
Bond keeps his handkerchiefs looking neat by keeping the edges of the handkerchiefs hidden, but dandies will show the edges of their handkerchiefs. Many are made with coloured borders that can be nice to show. If you choose to show the edges of the handkerchief, it looks best when the edges are rolled and sewed by hand. A machine-sewn edge should be kept hidden.
How do you like to wear your pocket squares?
James Bond trains in a royal blue tracksuit in Skyfall, and it’s only Bond’s second of the series. The first is a velour tracksuit in A View to a Kill, and whilst this one isn’t as luxurious it’s more practical and appropriate for Bond. Despite being a Royal Navy officer, Bond wears a PTI (Physical Training Instructor) jacket of the British Army, issued by the Secret Intelligence Service (SIS) with a silver SIS crest on the upper left chest. There is a jetted zip pocket above the crest, and it’s the only outer pocket on the jacket. The jacket has a zip-front with set-in sleeves, a crew neck and ribbed elastic cuffs.
The matching trousers complete the tracksuit. They have ribbed elastic bottoms like the cuffs on the jacket sleeves. The legs have a rib sewn down the centre of each leg. The ribs give the legs a creased look—this type of cotton cloth won’t take a crease—so the tracksuit has a more military-like look. Some may think it looks affected but I think it’s a nice touch.
Underneath the tracksuit Bond wears a dark blue-grey long-sleeve, crew-neck shirt in a waffle knit. The shirt has regular shirt-style sleeves, and the narrow shoulders are emphasise Daniel Craig’s large deltoids. The sleeves have cuffs in a a finer knit but Bond rolls up the sleeves to the elbow. The shirt’s upper left chest has the same SIS as on the jacket. Bond’s socks are white athletic crew socks. The trainers are the Adidas Gazelle 2 model in Dark Indigo suede with Argentina Blue (pale blue) stripes. The soles are white rubber.
It’s time again to look at one of Sean Connery’s Goldfinger suits in its original setting in Woman of Straw. Both Goldfinger and Woman of Straw end with Sean Connery in the same charcoal grey woollen flannel, three-piece suit. This slightly rustic suit does just as well in Woman of Straw‘s country setting as it does in Goldfinger‘s dressier setting of Bond on his way to meet the president. It’s Connery’s usual Anthony Sinclair suit. The button two jacket has natural shoulders with roped sleeveheads, a full chest and a nipped waist. It has four buttons on the cuffs, jetted pockets and no vent. The waistcoat has six buttons with five to button, though Connery fastens the bottom button. Because the bottom button is not meant to close, the bottom of the waistcoat bunches up rather unattractively. The trousers have double forward pleats and button side adjusters.
The shirt and tie differ slightly from what Sean Connery wears in Goldfinger. The elegant white shirt has a self-stripe pattern, which is either created by a mini-herringbone weave or a fancy white-on-white weave. Due to the country context the mini-herringbone is more likely since it’s not as formal as a white-on-white stripe. The shirt has a spread collar, front placket and double cuffs with rounded corners. The black satin tie is a little formal for a woollen flannel suit, but at the same time it creates a pleasant contrast with the texture of the flannel suit. It is tied in a small four-in-hand knot. Like in Goldfinger, Connery wears a white linen handkerchief in his breast pocket, but here it’s folded in a single point instead of in a TV fold. His shoes are black.
Sean Connery wears two stylish double-breasted overcoats in Woman of Straw that didn’t make it into Goldfinger. Over this charcoal flannel suit he wears a very dark navy double-breasted, knee-length overcoat. It has six buttons with three to button, narrow notched lapels and slanted hip pockets. The overcoat is cut with natural shoulders, has set-in sleeves and is slightly shaped through the body. There’s no name for this style of overcoat, but nevertheless it is a very elegant coat. With the overcoat Connery has a dark hat with a white lining, but it’s difficult to what type of hat it is or what colour it is. A trilby would be most likely considering the relative informality of the coat and flannel suit, and it could be the same brown trilby that Connery wears in Goldfinger or one similar to it.
James Bond isn’t the only government agent who is a master of black tie. Cary Grant wears a textbook example of classic black tie as American agent T.R. Devlin in the Alfred Hitchcock film Notorious, which also stars Ingrid Bergman and Claude Rains. Devlin’s suit is the ultimate example of the three-piece black dinner suit. Suits like this one inspired the three-piece dinner suit that Pierce Brosnan wears in GoldenEye. Devlin’s dinner jacket is a button one with satin-faced peaked lapels, and it is cut with a full chest and suppressed waist. The shoulders are straight and wide, made to balance Cary Grant’s large head against his very slim body and to give him more presence. The wide peaked lapels also give him more presence and were fashionable at the time. The dinner jacket has the traditional details of jetted hip pockets, button four cuffs and no vent in the rear. The buttons are black plastic. The dinner suit’s trousers have forward pleats, wide legs, and a satin stripe down each leg. They are finished with a straight hem and no break.
Underneath the dinner jacket, Devlin wears a black low-cut waistcoat. The waistcoat can hardly be seen, and that’s the way it should be. It probably has four buttons, and the buttons are closely spaced on the front. Two buttons can be seen peaking out above the dinner jacket’s button. Traditionally, black waistcoats for black tie are made in the same cloth as body of the dinner suit with shawl-style lapels in silk to match the jacket’s lapels and trouser stripe. Since the waistcoat can hardly be seen, this is only a likely possibility of what the waistcoat may look like.
The dress shirt has a marcella bib, spread collar and double cuff. The collar and cuffs have traditional quarter-inch stitching, and the shirt does not have a separate placket on the front. The front closes with two square mother-of-pearl studs, and the cufflinks match the studs. There only problem with the shirt is that in some shots the left side of the collar seems to have a difficult time laying flat under the waistcoat. Either Cary Grant’s shirts weren’t made to take collar stays and the collar wasn’t starched enough, or he didn’t like collar stays. The black satin silk bow tie matches the jacket’s facings. The bow tie is a thistle shape and is a little smaller than usual. Alan Flusser writes in Dressing the Man that “its width should not extend beyond the outer edge of a person’s face, and definitely not beyond the breadth of the collar.” This bow tie easily meets those requirements. Devlin wears a white pocket handkerchief with his dinner suit, though the amount of it peaking out of the breast pocket varies throughout the scene. Devlin’s black shoes are plain-toe oxfords (balmorals to the Americans), and whilst they are shiny it is difficult to tell if they are patent leather as they properly should be.
When Devlin leaves the party he dons the full-length chesterfield coat that he carried in with him. The double breasted chesterfield is most likely charcoal grey and it has six buttons with two to button. We see Devlin fastening the anchor button inside the coat—which is behind the middle button on the left side—when he puts it on. The coat has peaked lapels, straight, flapped hip pockets, a welt breast pocket, three-button cuffs and a centre vent.
During the climax of The Living Daylights, James Bond dresses as one of the Mujahideen in Afghanistan whilst fighting as one of them and also to disguise himself. On top he wears a medium brown leather—probably sheepskin—waistcoat, and it has four buttons from the neck down to the waist, where it cuts away. He wears the waistcoat open. Underneath the waistcoat Bond wears a warm grey shirt that has a short point collar that is laid flat. The collar has a band but it doesn’t have a button. However, the top button on the shirt isn’t more than an inch below the collar. The shirt also has an open breast pocket on the left side, a narrow placket and square 1-button cuffs.
Bond’s harem-like trousers match the shirt’s warm grey. They aren’t harem trousers to the extreme that M.C. Hammer made popular at the time, but they are very baggy in the thigh, have a somewhat low crotch and are fitted at the ankle. The waistband gathers with a drawstring. Bond wears a black belt around his waist on top of the shirt but underneath the waistcoat to hold his combat gear. To complete the disguise Bond wears a black Afghan turban.
Bond’s black leather derby-style combat boots have rubber soles attached with a storm welt. The boots also have a whopping 14 eyelets, and by that I mean 14 on each side! They are all metal eyelets and there are no speed hooks. They are laced in a standard criss-cross method, but combat boots are often laced in other methods, like the “Army Lacing” method mentioned on Ian’s Shoelace Site. The criss-cross lacing that Bond’s boots are laced in isn’t the best choice for him in this situation because he needs to cut the laces open quickly. Straight lacing methods—there are a few different methods listed on Ian’s Shoelace Site—are best for cutting the laces open because the horizontal sections of the lacing can be cut very quickly with a knife. Different militaries may have different ways of lacing shoes, and Bond may be used to lacing his shoes a certain way. With straight lacing, Necros would have died even quicker, making for perhaps a less suspenseful scene. The boots are the only part of this outfit that isn’t costume. With the boots Bond wears tall black socks.