James Bond’s wardrobe in Octopussy is full of disguises, from the Colonel Toro uniform to the “Octopussy’s Circus” jacket to the gorilla suit to the clown suit. The disguise he spends the most time wearing in Octopussy is the outfit he takes from knife-throwing assassin Mischka (played by David Meyer) after he kills him. Like the clown suit, the outfit Bond takes from Mischka is also a circus costume. It would be quite a silly-looking outfit if it weren’t for the circus, but it’s tame compared to the clown suit.
The main piece of the outfit is a crimson red polyester or nylon tunic that is long enough to almost cover the bum. It has a high collar that closes at the left side, and there is a roughly 9-inch placket that extends down the front of the shirt from the collar fastening to allow a head to fit through the collar. The sleeves are full cut, and the square single-button cuff is attached to the sleeve with shirring. A wide black belt with two rows of flat brass studs and a large two-prong brass buckle worn over the tunic around it gives shape to the outfit.
Over the tunic, Bond wears an open black leather waistcoat that Mischka used to keep his knives. The open design provides easy access to the knives. Below the tunic, Bond wears his own navy straight-leg suit trousers from earlier rather than Mischka’s tighter black trousers worn inside tall black boots. Bond wears his own black slip-on shoes, though the stuntman who plays Bond on top of the train wears black side-zip boots.
With great sadness, on Wednesday 10 September we lost Richard Kiel, the actor who twice played the henchman Jaws in The Spy Who Loved Me and Moonraker. I’ve never heard Roger Moore speak of anyone so kindly and with so much respect as he does for Richard Kiel. When I saw Roger Moore speak at Book Revue in Huntington, NY in 2008, a child asked Moore, “What was Jaws like in real life?” Moore responded, “Well, Jaws in real life is seven-foot-two, and he’s what I call a gentle giant. He is such a nice man, so kind, and we were in Canada a few years ago. Every time he would bring up the subject of UNICEF so I could talk about it. A good man.”
Only a month ago I wrote about Jaws’ azure double-breasted blazer in The Spy Who Loved Me, but now let’s look at his more tasteful charcoal chalkstripe three-piece suit that he also wears in the film. It’s a very conservative suit for 1977, and Jaws appropriately wears it for two meetings with his boss, Karl Stromberg. In comparison to the other clothes he wears throughout the film, the three-piece suit is the only outfit that makes him look like a truly menacing character. A man of Jaws’ size must certainly have his suits made for him, and the same tailor or costumier who made the azure blazer probably made the suit as well. The single-breasted suit jacket has the same large, imposing shoulders that the double-breasted blazer has, but it has much more shape through the body for an elegant look. The jacket is a button two with a medium button stance and wide notched lapels. A slightly long jacket helps to anchor Jaws at the cost of emphasising his towering height. The jacket pulls at the button, which may be the result of Jaws’ body type being difficult to tailor. His jacket sleeves are also too long, covering the top of his hands. The jacket is detailed with slanted, flapped pockets and double vents. The suit’s waistcoat most likely has six buttons and the trousers have a slightly flared leg with plain hems.
Jaws’ light grey shirt is an unconventional choice that flatters his cool winter complexion. It has a fashionably large point collar that has a generous amount of tie space. The shirt’s placket is stitched 1/4″ from the edge to match the collar and cuff stitching. Jaws’ tie is black with a red diamond motif that has a small black square in the centre of each diamond. He ties it in a four-in-hand knot. Jaws’ shoes are black.
Goldfinger may just as well have said in this scene, “No Mr. Bond, I expect you to dye my dinner jacket a shade of gold.” All of Goldfinger’s clothes are gold in colour, or close to it in yellow or brown. Even though Goldfinger is one of the most garishly-dressed villains, there are still a few things to admire about his clothes. He certainly knows what he likes, and that’s something to admire. And as one could expect from a man with a fortune in gold, he wears very expensive clothes. His button one, shawl-collar, brown silk dinner jacket is certainly very expensive, but even though it was made for him it doesn’t fit all that well. That may be because silk—especially lightweight shantung silk—doesn’t have much give and doesn’t tailor as easily as wool does. The flaws in the fit are quite noticeable; there are ripples in the upper chest and pulls at the waist, and the collar sometimes stands away from the neck on the right side. The dinner jacket is cut with a clean chest, and the shoulders have a little padding that attempts to straighten Goldfinger’s very large, round shoulders. The jacket has no vent, three buttons on the cuffs and jetted pockets, all following the classic dinner jacket style.
A brown dinner jacket lacks the elegance of a black or ivory dinner jacket, but on the other hand it flatters Goldfinger’s warm autumn complexion more that the more traditional colours would. The gold shantung silk lapels bring Goldfinger’s favourite colour into the dinner jacket, and gold metal—or likely brass considering it’s only a film costume—buttons add another level of gaudiness to the jacket. Metal buttons would ordinarily make any jacket look like a blazer, but Goldfinger’s dinner jacket still looks like a dinner jacket since the gold buttons somewhat match the colour of the lapels.
Under the dinner jacket, Goldfinger wears classic black trousers. They probably have a silk stripe down the side of each leg, but the scene is dark and the trousers aren’t seen much so it’s difficult to tell. Goldfinger’s white-on-white stripe dress shirt has a rounded point collar—it’s not as rounded as a club collar—and double cuffs. The front is pleated, the placket is stitched close to the centre and the buttons—not studs—are shanked gold metal. Goldfinger follows black tie convention and wears a black batwing bow tie. He wears a folded white linen handkerchief in his breast pocket. His shoes are black.
In the 1954 “Casino Royale” television play on CBS’s Climax!, the legendary Peter Lorre became the first actor to play Le Chiffre. Lorre wears a warm-weather dinner jacket like the dinner jacket Barry Nelson wears as Bond, but Lorre’s double-breasted dinner jacket is slightly lighter than Nelson’s buff (pale yellow-brown) or burma (pale red-brown) dinner jacket. Lorre’s dinner jacket is probably light buff, with lapel facings in a similarly-coloured satin silk. Anything but a self facing on a warm-weather dinner jacket’s lapels is not traditional, and it may have been trendy in the 1950s. The satin lapels add an unnecessary flashiness to the dinner jacket, but the flashiness is appropriate for a Bond villain.
Lorre’s dinner jacket has four buttons with one to button, and the two rows of buttons are evenly spaced about and below the waist. The jacket has natural shoulders with roped sleeveheads, and the jacket’s chest is clean but cut with a little fullness. This contrasts with the large shoulders, oversized fit and low button stance of Barry Nelson’s dinner jacket, which now looks very outdated. The natural shoulders and clean fit keep the corpulent Peter Lorre from looking any larger than he needs to, whilst the classic proportions and higher button stance keep the 5’3″ Lorre from looking any shorter than he needs to. He may be very short, and nothing can hide that, but he still looks as menacing as always.
The jacket also has three buttons on the cuffs, jetted pockets and no vent. The type of buttons on the jacket is difficult to determine, but they are dark and very shiny like black mother of pearl. Lorre wears traditional black trousers—which probably have a black stripe down each leg and are supported by braces—with the dinner jacket. The white dress shirt has a point collar, double cuffs and a wide placket. The black bow tie is in a thistle shape. Briefly, Lorre carries a black homburg hat with him, and you can see it on the table in the photo above.
Notice the different dinner jacket
In Lorre’s final scene, he wears a different, but very similar, dinner jacket. Either the original dinner jacket was damaged, or this dinner jacket is an accidental continuity error. This jacket doesn’t flatter Lorre nearly as well as the original dinner jacket does, which is because the new dinner jacket has larger shoulders and a lower button stance like Barry Nelson’s dinner jacket has. The lapels are darker and narrower, and the lapel peaks point more upwards than outwards like the original jacket’s lapels do. The buttons are white or cream. The top of the trousers shows at the bottom of the dinner jacket’s opening.
Robbie Coltrane as Valentin Zukovsky wears a very similar dinner jacket in The World Is Not Enough.
Jaws, played by the 7’2″ Richard Kiel, should be one of the scariest Bond villains, considering his imposing size and fierce metal teeth. However, his clumsiness and sometimes unfashionable clothing choices contribute to the comic relief side of the character. Jaws’ azure blue double-breasted blazer in The Spy Who Loved Me takes away some of Jaws’ ferociousness. Though light blue blazers were common in the 1970s, they weren’t then and aren’t now particularly fashionable. The light colour makes Jaws look less threatening than dark colour would. The blazer is probably made of polyester, though it holds up well though a car crash off a cliff and being literally kicked off a train. Jaws simply brushes the dirt off himself after these incidents and walks away undamaged and unwrinkled.
The double-breasted blazer is a good choice for a tall man like Jaws because the rows of buttons help break up his height, and the longer length of Jaws’ blazer shortens the perceived leg length to ground him. The ideal length of a blazer or suit jacket should be half the distance from the base of the neck to the ground, but Jaws’ blazer is longer than that. Though Jaws is already a bulky man, the shoulders of his blazer are built up and out to make him look even more imposing. The blazer has polished solid brass buttons; there are four with two to button on the front and three on each cuff. The blazer also has three open patch pockets, wide peaked lapels without buttonholes, and double vents. Apart from the too long sleeves, the blazer fits quite well. And considering Richard Kiel’s size, the blazer is probably made bespoke for Jaws by a costumier.
Jaws’ trousers are dark grey and have a dart on each side in the front and two darts on each side in the rear. They have a slightly flared leg, slanted side pockets, no rear pockets and zip-style side-adjusters. Under the blazer, Jaws wears an ecru shirt with a fashionably large point collar that has a generous amount of tie space. The shirt’s rounded single-button cuffs are attached to the sleeves with gathers. The shirt’s placket is stitched 1/4″ from the edge to match the collar and cuff stitching. The back of the shirt is tailored with darts. Jaws’ tie is cream with a light blue, black and beige crescent pattern. It is tied in a four-in-hand knot, and Jaws takes a moment to fix his tie after he is kicked off a train. Jaws’ shoes are black derbies.
Raoul Silva, played by Javier Bardem in Skyfall, is one of the most flamboyantly-dressed villains, yet he’s a well-tailored one. His cream silk jacket fits almost perfectly, the only problem being that the sleeve are too long. It’s made by Mayfair tailor Thom Sweeney, so it’s nice to see a second character in Skyfall—the first being Gareth Mallory—wearing bespoke English tailoring. The button two silk jacket is elegantly-tailored in the English style with softly-padded shoulders, roped sleeveheads, a clean chest and a suppressed waist. The jacket is tailored with classic proportions; the lapels are a balanced width, the length covers his behind and the jacket is closely fitted but not tight. The jacket has slanted hip pockets, double vents, four buttons on the cuffs, and dark brown corozo nut buttons.
Under the jacket, Silva wears a waistcoat and trousers in dark olive tropical wool or mohair. The waistcoat has five buttons, and Silva unstylishly fastens the bottom button. However, if he left the waistcoat’s bottom button open the shirt underneath may be exposed since the trousers have a somewhat low rise. The trousers’ waistband is visible in the notch of the bottom of the waistcoat. The waistcoat has narrow lapels and a small, full collar that are worn flipped up. The trousers have a flat front and plain hem.
Silva’s shirt from Prada is the flashiest part of his outfit. The shirt’s printed pattern consists of tan tiles with a white border and navy tiles with a tan border on a black ground. The shirt has a point collar, rounded single-button cuffs and dark buttons. Silva wears the collar button and first button open. Because of how flashy the shirt is, the necktie isn’t missed. It can be awkward to wear a waistcoat without a tie, but the waistcoat’s purpose here is to tone down the outfit by covering the shirt rather than to dress up the outfit. By flipping up the waistcoat’s collar and lapels, Silva rejects the additional formality that the waistcoat would ordinarily give the outfit. This is not a way I would recommend anyone wear a waistcoat, but when you’re a Bond villain you can dress as you please.
Silva’s medium brown chelsea boots add an additional level of flamboyance to his outfit. Though chelsea boots are typically very clean and sleek, Silva’s chelsea boots have an excessive amount of brogueing and far more seams than typical chelsea boots. They have a toe cap as well as a decorative strip of leather across the vamp. Apart from brogueing on every seam, they also have a toe medallion. The boots have thick double leather soles.
Costume designer Jany Temime dressed Silva appropriately in a garish and outrageous manner that perfectly suits the insane Bond villain.
Kronsteen, on the right
Though Kronsteen, played by Vladek Sheybal in From Russia with Love, is one of the less memorable Bond villains, he is one of the more interestingly dressed. In his final scene he wears a stylish alternative to the navy blazer: a slubby navy silk jacket. The jacket is has a draped chest with gentle waist suppression and extended—but natural—shoulders with roped sleeveheads, all of which suggest an English tailor made this jacket. Though it may have a tradtional cut, it also has fashionable 1960’s elements. The jacket appears to be a button one at the front with three buttons on the cuffs, and the buttons are covered in the jacketing silk. The narrow lapels have a generous roll to expose less of the shirt, and they also have swelled edges. The jacket has an open patch breast pocket and open patch hip pockets.
Kronsteen wears light grey worsted wool trousers to contrast the jacket. The trousers are cut with forward pleats, which balance well with the drape style of the jacket. His cream shirt is possibly silk and has a plain front without a placket. The shirt’s short point collar and double cuffs are stitched on the edge. Though black bow ties should best be kept with black tie, Kronsteen wears one as his signature look. It’s a narrow batwing shape, possibly in a barathea weave. It’s difficult to see Kronsteen’s shoes, but they are likely the same black lace-ups that he wears with his charcoal blue suit at the beginning of the film.
Kronsteen carries a pork pie Panama hat that goes well with the summery look of his silk jacket. Like a traditional Panama hat, it’s woven of cream-coloured straw and has a black ribbon. Though the bow tie and panama hat look rather costume-like together, with the right attitude some men could pull off this look today. And if the whole look is too much, a slubby navy silk jacket with patch pockets is a versatile warm-weather jacket that looks great dressed up or down, daytime or nighttime.
Emilio Largo, dare I say the best-dressed villain in the Bond series, looks just as smart in casual attire as he does in tailored clothing. Largo’s white camp shirt in Thunderball is likely a linen and cotton blend. It has a camp collar and long sleeves with rounded single-button cuffs. The body has a straight cut with a straight hem and side vents. There are six buttons down the front, including the collar, and the last two buttons are increasingly spaced farther apart going down than front. The collar, cuffs and front edge are stitched 1/4 inch from the edge. There is a crease down the middle of each side of the shirt, which means that Largo stores his shirts folded. Clearly his valet did not iron the shirt before he wore it. Some people like creases in their shirts, but they properly should be ironed out.
Compared to Connery’s camp shirts, Largo’s camp shirt is much longer, more like the length of a dress shirt to be tucked. Perhaps he had it made that way so it could transition from a casual daytime shirt to a dressier evening shirt that he can wear tucked under a blazer. Frank Foster makes his formal shirt hems exactly the same as this shirt’s hem, so there is no reason why this shirt couldn’t be worn both tucked and untucked. And seeing that Frank Foster constructs his shirt hems and vents exactly like this shirt’s hem and vent, this could possibly be one of his shirts.
Pierce Brosnan wears a very similar shirt almost 40 years later in Die Another Day, except his shirt has a pocket and he wears the sleeves rolled up. The lack of a pocket on Largo’s shirt—as well as wearing his sleeves down with the cuffs fastened—makes his look a bit dressier.
Largo’s trousers are charcoal blue linen and are ironed with a sharp crease down the leg. The have a plain hem and most likely a flat front. Though Largo is amongst the more tastefully-dressed Bond villains, his choice of shoes is rather flashy. They’re blue suede derbies with a tassels on the laces and crepe soles. I’m not saying that the shoes aren’t tasteful—they’re actually quite stylish—but they’re unlikely to be an item Bond would wear. Largo’s choice of black socks, on the other hand, is rather unstylish unless he was matching his socks to his eyepatch. Blue-grey socks to match the trousers, though difficult to find, would be the natural colour of socks to wear. Blue or grey socks of any shade would look better than black.