The Royal Navy Regimental Tie
Roger Moore’s James Bond is the only one who wears striped ties. Until Moore became Bond, all of James Bond’s ties were solid. The only exception is the tie Bond wears as Sir Hilary Bray, but since it is Sir Hilary’s own tie and part of a disguise it don’t count. Bond’s own first non-solid tie of the series in Live and Let Die is quite appropriate since it’s a Royal Navy regimental stripe. Striped ties often come with an affiliation, and Q’s Brigade of Guards tie in From Russia With Love is another example of that. Regiments, colleges, universities, clubs and more have their own colours and stripe patterns, and only people who are affiliated with such ties should wear them. Regimental-striped ties are typically woven in a repp weave, and the stripes are woven, not printed.
In almost all British striped ties the stripes go up from the wearer’s right to left. The ascending stripes help draw the eye upward, and they harmonise with the left-over-right buttoning of men’s clothing. American striped ties take British patterns and change the direction, descending from the wearer’s right to left. When the stripe direction is changed the tie’s affiliation is lost and anyone can rightfully wear it.
Not all stripes have an affiliation. Moore’s brown-striped tie in The Spy Who Loved Me likely does not have an affiliation. The Italian striped ties in Moonraker, whilst following the American direction, are printed silk and have little in common with the regimental striped ties. Moore also wears striped ties in The Man with the Golden Gun (with his navy blazer, picture above) and in For Your Eyes Only (with his navy chalkstripe suit, pictured below). These ties may have an affiliation, but I am unaware of what they may be. If anyone knows what those ties represent, please comment below.
In Hong Kong in The Man with the Golden Gun, Bond wears a silk or silk-blend suit made by Cyril Castle. The cloth is semi-solid blue-grey and white with white stripes. Sometimes it looks light blue and sometimes it looks light grey, but in general it’s a cool grey. The suit is Cyril Castle’s standard button two style from that era, with slanted pockets, deep double vents and flared link-button cuffs. The chest is cut with a little drape, which is especially helpful here since silk doesn’t have much give. The lapels have swelled edges, making it a rather sporty suit. The trousers have a darted front, flared leg, and a coin pocket on the left front beneath the waistband.
The soft white shirt made by Frank Foster has a spread collar, front placket and 2-button cocktail cuffs. The matte navy tie has a rough texture that would suggest a linen and silk blend. The tie is knotted with a four-in-hand knot. Bond wears black Gucci slip-on shoes and a black belt with a rounded, center-post brass buckle, most likely from Gucci as well.
Roger Moore wore this suit a lot outside of The Man with the Golden Gun, like in this interview for The Spy Who Loved Me.
This outfit from The Man with the Golden Gun may be the one most to blame for Roger Moore’s undeserved reputation for always wearing a leisure suit as James Bond. This safari jacket, made of cream-coloured silk or a linen and silk blend, is really the only one that’s a 100 percent product of the 1970s. Unlike Moore’s traditional safari shirts, this one is a structured jacket. It has natural—but structured—shoulders, set-in sleeves and a tailored waist. It has most of the traditional details of a classic safari jacket: shoulder straps and four flapped patch pockets with inverted box pleats. The sleeves have buttoned straps around the cuffs as well as a vent. The front has a dart that extends to the bottom hem. The front of the jacket has four buttons, and Moore leaves the top button open. It has a long, single rear vent.
What takes this jacket, more than any of Moore’s other safari jackets, into the 1970s are two things: the collar and the stitching. A safari jacket should have a shirt-type collar, but this jacket has a a long, dog-ear style, leisure-suit collar. The other really fashionable aspect of this jacket is the dark, contrast stitching that’s found all over the jacket. It’s on the collar, lapels, shoulder straps, cuff straps and pockets. And Moore wears the jacket with medium brown, slightly-flared-leg trousers, so it’s not a suit.
The ecru shirt is the standard from Frank Foster, with a large spread collar, front placket and 2-button cocktail cuffs. The tie is solid dark brown. The slip-on shoes are dark brown or black with an apron front and a strap with a buckle at the side.
In The Man with the Golden Gun, Roger Moore wears a more adventurous wardrobe than he did in Live and Let Die. For one of the furthest suits from what Sean Connery had established as the classic Bond look, Moore wears a dark olive, double-breasted suit cut by Cyril Castle. The suit has very closely-spaced lighter pinstripes with wider-spaced red chalkstripes. The jacket has six buttons on the front with two to button, double vents, slightly slanted pockets with flaps, and flared link-button cuffs. The trousers have a darted front and flared leg.
The shirt is a white and gold bengal stripe in a twill weave, made by Frank Foster. The shirt has a spread collar, placket front and and two-button cocktail cuffs. The tie is light olive shantung silk, tied in a four-in-hand knot. Even though the outfit is in all earth tones, Moore wears black shoes. But because this suit is worn after dark, black shoes are appropriate, and they don’t clash when not in daylight.
Bond’s Rolex Submariner with a close-up of the striped suit and shirt cloths
Roger Moore wears his first of three white dinner jackets in The Man with the Golden Gun. And this dinner jacket is very close to being white, though it’s still not quite there. And fitting for the Asian setting, this dinner jacket is made from a slubby but luxurious dupioni silk. The cut is Cyril Castle’s classic double-breasted 6 button with 2 to button and has a narrower wrap. The shoulders narrow and gently padded. The jacket has double vents and the pockets are slanted and jetted. The cuffs button 1 with a turnback detail and don’t have the link button feature that Roger Moore wears on his other suits in the film. The black trousers are flared with a darted front and a black satin stripe down each leg.
Instead of the usual white shirt, Moore wears a cream dress shirt by Frank Foster. It’s unclear whether he is wearing that colour shirt to make a fashion statement, or simply because it flatters his complexion better than a stark white. The voile shirt has a pleated front with standard mother of pearl buttons and 2-button cocktail cuffs. Moore wears a wide, black satin bow tie to match the wide lapels. Though the bow tie looks dated, wide lapels on a double-breasted jacket don’t so much since they are typically wider than single-breasted lapels anyway. Moore’s dress shoes are black patent slip-ons with a strap and clasp detail.
In The Man with the Golden Gun, Bond infiltrates Hai-Fat’s estate posing as Scaramanga, wearing an outfit of all cream. Scaramanga was known for dressing in white, and Bond follows similarly in an outfit of a cream shirt and cream trousers. The shirt is made from cotton voile with a double-layer front so it’s not so translucent and so it doesn’t give away Bond’s “superfluous papilla” before he removes his shirt. It has 5 buttons down the front, and the hem is straight and short with button tabs on the sides to cinch the waist. The shirt is cut rather straight but the back is darted for a neater fit on Moore’s body. The sleeves have turned-up cuffs with an extended button tab to secure the cuff. The shirt’s large collar is a very unique one, with a construction similar to a camp collar though it looks more like a regular collar. It stands up in front like a typical point collar but doesn’t have a separate collar band; it just folds over. There is no collar band. Frank Foster most likely made this shirt.
The cream tropical worsted trousers have a flat front, a slightly flared leg and no side pockets but 2 rear pockets. Moore wears cream socks to match his trousers, a brown exotic skin belt and dark brown Gucci horse-bit slip-ons.
“He usually wears a white linen suit, black tie, and jewellery, all gold.” Miss Anders described Scaramanga’s dress to Bond after he twisted her arm. It’s not actually a pure white, but off white. The jacket has a 3-button front, a single vent, slanted hip pockets but no breast pocket, and 3-button cuffs. The collar is essentially a camp collar, even though it’s a term usually used for shirts. This type of collar was commonly found on leisure suits in the 1970s. Like typical leisure suits, this is also made of polyester, not linen. It is trimmed with mother-of-pearl-effect buttons and a cream satin lining. This jacket was auctioned at Bonhams in Knightsbridge on 6 March 2007 and sold for £5,520.
The cream trousers were also sold at Bonhams, two years later on 16 June 2009 and sold for £480. According to the auction these trousers are wool (with a waffle texture), and since they are not the same material as the jacket the outfit is not actually a suit. The trousers have a narrow leg, darted front, belt loops (with a belt buckle keeper), a hook closure and plain bottoms. The jacket and the trousers were made by costumiers Bermans & Nathans.
Scaramanga’s cream shirt has a moderate spread collar and double cuffs, with gold cuff links of course. The left cuff link becomes the trigger for the golden gun. Scaramanga makes no secret of his admiration for James Bond, and he even has an element of Bond’s dress in his own: the black silk knit tie. It’s the tie of the literary Bond, and Roger Moore wears one off of Scaramanga’s 007 mannequin in the end of the film. Scaramanga completes his outfit with white shoes.
Roger Moore is well known for his casual safari clothing. I’ll never understand why some people insist on comparing these clothes to leisure suits when they are rooted in traditional safari clothes. They are also quite appropriate for the hot weather in Thailand. The sage green linen (or linen and cotton blend) safari shirt-jacket is a cross between a shirt and a jacket. It is constructed like a shirt without a lining or interfacings, but it is worn out like a jacket and has many features are more often found on jackets than shirts. It has a 4-button front with a camp collar, a belted back and long side vents. It has traditional safari jacket features such as epaulette straps and box-pleat patch pockets with flaps. The buttons are mother of pearl. Moore wears the sleeves rolled up to just below the elbow. This piece was made by Moore’s shirtmaker, Frank Foster.
The beige trousers have a flat front with a flared leg. The material may be tropical wool, linen, silk, or some combination of the three. Bond’s ribbed socks match the trousers. His shoes are brown low-vamp, tassel slip-ons.