In On Her Majesty’s Secret Service, Bond finds a plaid wool ski jacket—or maybe it’s a ski lodge jacket—to wear over his blue ski suit. He wears it both for warmth and to hide from Irma Bunt and Blofeld’s henchmen. A bold plaid isn’t the ideal find for someone who is trying to keep unnoticed. Unlike the clothes Bond finds in Quantum of Solace, this jacket is not a perfect fit. It’s a size too large. The plaid wool is in black, white purple and orange. The jacket appears to have three grey leather-covered buttons on the front, from the top down to the waist. I would have guessed a coat like this would have a fourth button below the waist, but another button could limit movement when skiing since there isn’t a vent. There are also buttoned straps on the sleeves, slash pockets that are good for hand-warming, and a belt in the back. For additional warmth the jacket has a beige quilted lining.
Bond’s second hacking jacket of the series is a bit more bold than the first one, but it’s just as traditional. Goldfinger features Bond’s first hacking jacket, a subtle barleycorn tweed. On Her Majesty’s Secret Service features Bond’s second hacking jacket, a bolder houndstooth tweed. But it’s a rather simple check, in black, brown and cream with a red overcheck. The jacket is made by Dimi Major, with lightly padded shoulders, a swelled chest, a nipped waist and a flared skirt. It’s a button three with one button on the cuffs and the hacking jacket features of slanted pockets and a deep single vent. Slanted pockets are easier to access on horseback whilst the deep vent helps the jacket to split in back over the horse.
Bond almost never fastens the top button on his button three jackets. On most of Bond’s button three jackets the lapels gently roll at the top button. Here, Lazenby interrupts the roll by fastening the top button. Dimi Major cuts his button three jackets to look great either with both to the top and middle buttons closed or just the middle button closed. Unlike ordinary sports coats, riding jackets are longer and have three buttons placed higher on the chest, with all three meant to fasten. Lazenby’s hacking jacket is cut like a typical sports coat, meaning the bottom button isn’t meant to fasten. Closing the top button puts this jacket more in the spirit of riding jackets. But fastening the top button is also necessary to hold in the day cravat.
The beige shirt has a stock collar, which extends around to close at the left side of the neck instead of the front. It looks unbroken across the front and is meant to be worn with a stock tie or a day cravat, of which Bond wears the latter. Bond’s cravat is also beige and is worn with a pin. The beige jodhpurs—likely made of cavalry twill wool due to its elastic properties—are worn with a belt and fit into Bond’s tall, black riding boots. Since I’m not involved in the equestrian world, I cannot judge the appropriateness of the outfit. The only part of this outfit that may be worn outside of equestrian activity is the hacking jacket, and the rest of the outfit should be limited to equestrian pursuits.
In A View to a Kill, Roger Moore wears another equestrian outfit, but with a conventional shirt and knitted tie.
The most well-known photos of George Lazenby as Bond come from a shoot of him leaning against a lamppost in front of the clock tower—now called the Elizabeth Tower—at the Palace of Westminster. This photo shoot took place at Lazenby’s casting, and he’s wearing what’s supposedly an Anthony Sinclair suit. Lazenby claimed to have gone to Sean Connery’s tailor, Anthony Sinclair, to look more like Connery for a better at the role. If the story is true than this is the Anthony Sinclair suit.
This suit has the same natural shoulders with roped sleeveheads as Sinclair’s suits. It has a full chest and gently suppressed waist, which also resembles Sinclair’s cut. Like the suits Connery wears as Bond, this suit has two buttons on the front and four buttons on the cuffs. The pockets are slanted with flaps. The suit trousers have a tapered leg and plain bottoms. The cloth is a large, but faint, plaid. The suit isn’t as rakish as Lazenby’s suits in On Her Majesty’s Secret Service are, but it certainly makes Lazenby look the part of Bond. The only problem with the suit is that the collar doesn’t hug the neck as it should, but that’s most likely due to the poses causing the suit to not sit evenly across the shoulders.
The shirt has a small spread collar with no tie space, and it definitely doesn’t resemble a shirt from Frank Foster, who made Lazenby’s shirts in On Her Majesty’s Secret Serivce. The double cuffs have the link holes close to the fold, a characteristic of English double cuffs. In the traditional Bond manner, Lazenby wears a dark knitted tie. His shoes are an elegant style of low-vamp slip-on, with the inner quarter extending as strap over the vamp like a monk shoe would.
George Lazenby’s car coat in On Her Majesty’s Secret Service is a hybrid of different overcoat styles. It’s a navy three-quarter length, double-breasted coat with elements from the British Warm and the pea coat. Like a British Warm it has six buttons on the front with three to button and suit-like pockets. Like a pea coat it has a large collar and broad lapels, which allow the coat to button at the top. It has a deeper single vent than most overcoats, one button on the cuffs and slanted hacking pockets with flaps. The mix of styles on this coat works well together. Though Lazenby wears the coat in a city setting over a chalkstripe suit and, later, a navy blazer, the coat can also be worn almost as casually as a pea coat can be. Lazenby wears the coat with a navy trilby and black leather driving gloves.
“007 never had any respect for government property,” says Q in regards to Bond’s trilby, implying that he supplies Bond’s hats as well as his gadgets. Bond wears two felt trilby hats in On Her Majesty’s Secret Service. The black trilby in the opening scene is the same hat that Bond wears later at his wedding (above), and both of these scenes are in Portugal. The trilby has a narrow grosgrain ribbon and a C-crown with a front pinch.
Bond wears another trilby (below) with business wear in London. This one has a wide grosgrain ribbon and a taller, less tapered crown with a centre dent and front pinch. It’s very dark, but it’s probably navy. Both trilby hats have a narrow snap brim, and that’s what defines the trilby. Following 1960′s fashion trends the brims are extra short, but they suit Lazenby very well. Though Lazenby’s wardrobe is more fashionable and modern compared to Sean Connery’s rather traditional tailoring, he doesn’t forego the trilby the Connery has thus far worn or carried in all his Bond films.
Marc Ange Draco (Gabriele Ferzetti), the father of the bride, wears the most traditional version of black lounge at James and Tracy Bond’s wedding. Draco’s button one lounge coat has notched lapels, flapped pockets, three-button cuffs and no vents. The shoulders are straight with roped sleeveheads. The waistcoat matches the jacket in black and has six buttons with five to button. The trousers are in the traditional cashmere stripe pattern, cut with a flat front and most likely worn with braces.
Draco’s white shirt has a small spread collar with mitred barrel cuffs. Whilst a striped tie isn’t the traditional choice for a wedding, the colour scheme is right with black, silver, white and pink and is perfect for the occasion. The stripes go in the British direction, from lower on the right-hand side to higher on the left-hand side. The shoes are black, and most likely they are cap-toe oxfords. With the rest of the wedding party, Draco wears a white carnation in his lapel.
On Christmas Eve morning in On Her Majesty’s Secret Service, Blofeld greets the girls outside wearing a British warm in light brown herringbone wool with a collar and lapels faced in light brown astrakhan fur. An astrakan-trimmed coat is a bit over-the-top for James Bond, but it is perfect for a villain, for whom nothing is ever too extreme. The British warm is a double-breasted, knee length overcoat. It usually has six buttons with three to button, as Blofeld’s does, though the fancy lapels and collar are not typical of a British warm. Blofeld’s coat has slanted pockets with large flaps on the front. Blofeld wears an astrakhan hat that matches the coat’s collar and lapels, and he also wears brown gloves.
The clothes Blofeld wears underneath the British warm appear to be the same as what he wears later during the battle at Piz Gloria. The brown zip-front jacket is made by Bogner, probably of an insulating synthetic material designed for skiing in. It has a short stand-up collar, vertical zip pockets on the front, a brown stripe on the sides and elasticised cuffs. Blofeld’s brown breeches match the jacket and are most likely made by Bogner as well. The legs extend a couple inches below the knee and tighten with a buckle. Underneath the jacket Blofeld wears a white mock polo neck jumper. He wears long, thick brown socks and brown suede-effect, rubber-soled ankle boots. The boots are most likely not real suede if the intent is to wear them in snow.
Bond stopped Blofeld’s plot and the world had a happy Christmas. I wish you all a happy Christmas.
In On Her Majesty’s Secret Service George Lazenby takes the black and white Prince of Wales check suit that Sean Connery often wore and adds a blue overcheck. The black and white check pattern part is slightly off from a typical Glen Urquhart check. The overall large check is taller than it is wide, as it typically is, but the finer horizontal lines are emphasized. The cloth is most likely woven in an even twill like the standard Prince of Wales check is. One interesting thing that tailor Dimi Major does is he rotates the cloth 180 degrees on adjacent panels. This can be seen by looking at the horizontal stripe sections in the pattern. On the lapels a white stripe in on top, on the front body panels a black stripe is on top and on the sleeves a white stripe is on top again. Some tailors match their checks this way instead of the more logical way of matching them in all the same direction.
The illustration below is the closest I can come up with to figuring out the atypical check pattern. Click the image to enlarge:
The button two suit jacket has natural shoulders, a clean chest and a close cut overall, with a shorter jacket length. The cut is in line with the current fashions of then and now, though unlike today’s fashionable suits this suit does not look shrunken. The jacket is detailed with three button cuffs, steeply angled hacking pockets with a ticket pocket and double vents. The double vents are deep and have an outward flare. The suit’s buttons are made of dark grey horn. The trousers have a flat front and narrow legs. This suit is full of late 60′s English flare and is the most fashionable suit Lazenby wears in the film. It’s the most fashionable we’ll see Bond until Roger Moore gets settled in the role.
The sky blue shirt made by Frank Foster picks up the blue windowpane in the suit. The shirt has a point collar and single-button barrel cuffs. The navy knitted tie has a soft, dull look with slight pilling that would suggest wool as opposed to the standard silk. The shoes are black.