The latest “Basted for Bond” infographic breaks down the jackets, trousers and waistcoats that Roger Moore wears in For Your Eyes Only, Octopussy and A View to a Kill, made by legendary celebrity tailor Douglas Hayward. Though the low button two jacket is the mainstay of Moore’s Hayward wardrobe, he also wears button three jackets, very low-buttoning double-breasted jackets and a morning coat, all and more examined in the following infographic.
A happy 85th birthday today to Sean Connery. In The Rock, Sean Connery plays John Mason, a British national who escaped from Alcatraz. The Mason character was written as an homage to Bond and has a lot in common with Bond. John Spencer’s character FBI Director Womack states that Mason is a British operative but says, “Of course the British claimed they’d never heard of him.” Womack also says, “This man knows our most intimate secrets from the last half-century…Mason’s angry. He’s lethal. He’s a trained killer.”
Mason even speaks like Bond when he responds to Nicolas Cage’s character Goodspeed’s introduction with the Diamonds Are Forever line, “But of course you are.” For Mason to agree to cooperate with the FBI, he makes a Bond-like demand: “I want a suite, a shower, a shave, the feel of a suit.” The new navy worsted three-piece suit he gets is what matters most, as far as this blog is concerned.
Though The Rock was released in 1996, Sean Connery’s suit more closely resembles an late 1980s/early 90s suit. The button two suit jacket has a low button stance and a very low gorge, which places the lapel notch almost in the middle of the chest. Sean Connery’s prominent shoulders make the jacket’s shoulders look more padded than they actually are. Still, the shoulders have a fair amount of padding, but natural sleeveheads gives the shoulders a natural but neat curve.
The suit jacket is cut with a moderately full chest and a gently suppressed waist. The jacket is detailed with flapped pockets, three cuff buttons and no vent in the rear. The suit’s waistcoat has five buttons. The suit trousers have a full cut, likely with double or triple reverse pleats. The legs are wide but slightly tapered. The suit is very similar to the suits Timothy Dalton wears in Licence to Kill, but Connery’s suit has a much cleaner fit. Though this suit is strongly influenced by fashion in its proportions, it follows the principles of a good fit.
Connery’s white shirt has a spread collar with tie space and a sewn interfacing (revealed by a poor sloppy job), front placket and square cuffs with either one or two buttons. The collar design and construction could mean that this shirt is from an English maker. The tie has alternating wide navy and gold stripes. The navy stripes are woven in a twill weave whilst the gold stripes are woven with floats to look like a basket weave. Connery’s shoes are black single monk shoes.
Yesterday, GQ-Magazine.co.uk published three photos of Daniel Craig taken for a partnership between James Bond and Heineken. Though this partnership with the beer company involves Spectre, Daniel Craig is not in costume as James Bond, though he is dressed in a Bond-like manner. Though GQ identifies this navy pick-and-pick suit as a Tom Ford O’Connor suit, this is certainly not a Tom Ford Suit. This suit isn’t as interesting or unique as a Tom Ford suit, and it’s most likely a ready-to-wear suit, but Daniel Craig looks like James Bond in it.
Tom Ford suit jackets always have a curved “barchetta” breast pocket, which this suit jacket lacks. O’Connor suit jackets also have slanted hip pockets, whilst this jacket has straight pockets. The O’Connor jackets in Spectre are button three roll two, whilst this jacket is just a button two like the ready-to-wear O’Connor jackets. The Spectre suit jackets also have four cuff buttons whiles this jacket has only three cuff buttons. The buttons on this navy suit contrast in medium-light grey urea. And whilst Daniel Craig’s O’Connor jackets always have a single vent, this jacket has double vents. The narrow lapels are around the same width as the O’Connor lapels, but the notch on this jacket is smaller.
Craig’s suit jacket is cut with straight padded shoulders, gently roped sleeveheads, a lean chest and a suppressed waist. Overall, the suit has a very close fit, but it has a slightly cleaner fit than the Tom Ford suits he wears in Spectre. Because of his pose, it’s difficult to tell if the pulling at the waist is a result of the jacket being a little too tight, or if it’s because of the pose. The only serious problem with the fit of this jacket is the short length, which is fashionably on purpose. The suit trousers have a narrow, tapered leg with turn-ups, which contrast with the straight leg on Tom Ford trousers.
Under the suit, Daniel Craig wears a white shirt with a point collar and double cuffs. Though Craig wears similarly styled shirts made by Tom Ford in Spectre, this shirt is not one of those shirts. This shirt’s point collar is a bit shorter than the Tom Ford point collars and does not frame his face as well, but it doesn’t look bad either. The navy tie with white pin dots could possibly be from Tom Ford, but any number of brands could have provided this tie. There’s a folded white handkerchief in the jacket’s breast pocket to add to the Bond look. Craig’s shoes are black three-eyelet derbys with a chiselled toe and Dainite studded rubber soles. The shoes are likely the Crockett & Jones Highbury, which Craig wears in Skyfall.
GQ is also wrong about something other than the suit: Daniel Craig’s hair in Spectre. The longer hair in these photos gives Daniel Craig a more mature and sophisticated look, but if they looked at the Spectre trailer they would see that Craig’s hair in the film is the usual shorter length it has been in his other Bond films.
There are more photos GQ-Magazine.co.uk.
Easily one of the most likeable characters of the Bond series, Octopussy‘s Vijay, played by tennis player Vijay Amritraj, is a British agent undercover at Kamal Khan’s sports club as a tennis pro. He dresses appropriately for a man at a country club in a navy worsted double-breasted blazer, beige trousers and a day cravat.
Vijay’s blazer has six buttons in the traditional configuration of two to button. The buttons have a low stance. The shanked buttons are brass, each engraved with a pair of tennis rackets fitting for the character. The blazer is likely English ready-to-wear, cut with straight shoulders, roped sleeveheads, a lean chest and a suppressed waist. It has long double vents, three buttons on the cuffs and flapped pockets.
The beige wool gabardine trousers are cut with a straight leg and likely a flat front. Vijay’s white poplin shirt has a point collar, rounded single-button cuffs and a placket stitched 3/8″ from the edge. The placket identifies this as an English shirt. Under the shirt, Vijay wears a textured silk day cravat in grey with 1/4″ red stripes widely spaced.
Vijay’s shoes are black leather horse-bit slips, which Roger Moore wears in his 1970s Bond films but not in Octopussy. The stunt driver of the Tuk Tuk taxi, however, wears light brown trainers that fasten with two velcro straps.
Timothy Dalton is partially responsible for this all-blue outfit in Licence to Kill. In a 1989 interview with Garth Pearce, Timothy Dalton said he didn’t want to wear the pastel colours that costume designer Jodie Tillen wanted to dress him in. Dalton said, “The clothes say so much about Bond. He’s got a naval background, so he needs a strong, simple colour like dark blue.” That’s what this outfit is: three different dark blues. However, someone with a naval background would likely prefer trimmer-fitting clothes and not excessive bagginess.
Throughout Licence to Kill, Bond combines his casual wardrobe items in different ways, giving a certain realism to part of the wardrobe. Bond does not often mix and match different wardrobe items unless they are basics like navy grenadine ties, solid-colour formal shirts or shoes. When Bond meets Pam Bouvier at the Bimini Barrelhead Bar, he is wearing the same navy shirt-jacket he wears at the Hemingway House earlier in the film with the purpose to conceal his Walther PPK. The shirt-jacket is probably made of a synthetic material and is too large, most notably in the shoulders, as was the trend in the late 1980s. The shirt-jacket has a four buttons down front, has pockets on both sides and is constructed with a yoke in the back of the shoulders like a shirt. The cuffs are single-button shirt-type cuffs with a large button, and the sleeve is gathered into pleats at the cuff. Bond wears the jacket open and the collar up.
Under the shirt-jacket Bond wears a french blue shirt with a short spread collar and two breast pockets. The placket is folded to the inside rather than the outside so that only a row of stitching is visible to the right of the buttons. This gives the front a neater look than a placket does but still has the extra support a placket provides. The collar and placket are stitched on the edges. Bond’s trousers are faded dark blue cotton and slightly lighter than the shirt-jacket. They have triple reverse pleats, slanted side pockets and two rear pockets. The trousers are the same blue trousers that Bond wears when he arrives in Isthmus City. Bond wears a black belt and black slip-on shoes with his blue outfit.
Kingston-based British agent John Strangways, played by Timothy Moxon, is talked about far more than he is seen. He appears in the opening scene of Dr. No and is soon killed. His death brings James Bond to Jamaica and is the reason for Bond’s first cinematic mission. From the looks of his suit, it would appear that Strangways hadn’t returned to England for quite some time to update his wardrobe. His suit has a full cut dating it to the 1950s.
Strangways’ suit is made of silk and is the natural silk colour, which is a light beige. The jacket has a full cut with drape in the chest and a nipped waist. The shoulders are soft and natural, and in following the drape cut they are slightly extended. The jacket has two buttons on the front with a medium stance. The lapels are slightly on the narrow side, and they have a low buttonhole. The welt breast pocket has a steep slant and is placed low on the chest. The hip pockets are difficult to see, but I believe they may be open patch pockets. There are three buttons on the cuffs and no vents. The suit trousers have forward pleats—likely two on each side—and very full, tapered legs with plain hems.
With the suit Strangways wears a white shirt with a short spread collar and button cuffs. His tie is deep red with a subtle tonal pattern and is tied in a four-in-hand knot. It has a crest or some decoration embroidered on the top, though I can’t tell what it is. He also wears a white linen handkerchief stuffed into his breast pocket.
Strangways’ shoes are perhaps the most adventurous part of his outfit. They’re casual two-eyelet desert boots in tan suede with crepe soles. Though they are less formal than the rather informal suit, they fit the relaxed country club setting.
Roger Moore has earned a reputation for being the fashionable James Bond due to his collection of safari jackets and shirts. Some of them, like the cream safari jacket in The Man with the Golden Gun, are indeed fashionable 1970s items that have poorly dated. Others, like the safari shirt-jackets in Moonraker and Octopussy, are very practical garments based in traditional military wear that Bond appropriately wears in the jungle. Even though Roger Moore wears better and worse clothes as James Bond, these safari clothes will always be what he is most remembered for. The safari shirts and jackets are all complicated garments with many interesting details worth a closer look.
Only a year after he finished Remington Steele, Pierce Brosnan played Hong Kong tycoon Ian Dunross in the 1988 television miniseries Noble House. Besides Brosnan, Noble House stars two other actors from the James Bond series, John Rhys-Davies (The Living Daylights) and Burt Kwouk (Goldfinger and You Only Live Twice). Brosnan plays and dresses as Dunross similarly to how he plays and dresses as Steele, though Dunross’ clothes are devoid of the 1980s fashions that dominated his later Steele wardrobe and would plague James Bond in Licence to Kill a year later. For leisure in Hong Kong, Brosnan wears a cream silk suit in Noble House.
The cream suit jacket has three buttons and a different cut than the other suit jackets in Noble House and has a more relaxed look to go with the suit’s more relaxed nature. The shoulders are soft and natural but have a little padding. The shape of the lapels and other small details are identical to on the other suits in the mini-series, meaning this suit is either made by the same tailor or is from the same brand. The other suits are most likely meant to look like they are made by an English-influenced Hong Kong tailor, though this cream suit looks more American.
The suit jacket lacks front darts in the American Ivy League style, thus the front looks boxy. The chest is very lean and the waist is full. The back of the jacket, however, is suppressed to give the jacket a clean and flattering shape. The traditional American Ivy League style has three buttons with the lapels rolled to the middle button—called a three-roll-two—so that the jacket looks like a button two jacket. This jacket, however, is not made in that style. The lapels on this button three suit jacket only roll gently through the top button and are not pressed all the way down to the middle button, but the lapels roll slightly past the top button when the jacket is button. The jacket is detailed with flapped pockets, three buttons on the cuffs and a single vent.
The suit’s trousers have a medium rise and double reverse pleats, which are stitched down about an inch at the top to direct the fullness to the hips and keep the pleats neat. Though pleats are not part of the Ivy League style like the undarted suit jacket is, the popularity of pleated trousers in the late 1980s means that they accompany this suit jacket. The trousers have on-seam side pockets and one rear pocket on the right. The legs are gently tapered with plain hems. The trousers are worn with a medium brown belt.
Brosnan’s blue multi-stripe shirt is classic, but it is also what was popular in the 1980s. The cotton is medium blue, possibly end-on-end, with navy, yellow and light blue pencil stripes, spaced about 3/8″ apart. The shirt has a point collar, double cuffs and a front placket. The collar, cuffs and placket have 1/4″ stitching. Brosnan’s tie is red with dark blue repp stripes bordered by olive repp stripes. The striped tie pairs well with the striped shirt because the stripes are of different scales and different intensities. The tie’s stripes are in the American directions—down from the right shoulder to the left hip. If the stripes have any meaning in the UK, the American direction negates the meaning of the pattern. As there is no keeper, each blade of the tie hangs freely. When the tie flips up in the wind, a Polo Ralph Lauren label can be seen under the tie. It is possibly that other piece of clothing that Pierce Brosnan wears in Noble House could also be from Polo.
Brosnan matches a dark blue patterned silk pocket square to the dark blue stripes in the tie and in the shirt. Brosnan also matches his red socks to the base colour of his tie. The shoes are medium brown suede derbys.